"Variation VII: Section IV" by William Basinski had its release date on November 9, 2004. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. This song is part of Variations: A Movement In Chrome Primitive by William Basinski. The song's track number on the album is #22 out of 32 tracks. Based on our data, United States was the country where this track was produced or recorded. Variation VII: Section IV is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Variation VII: Section IV by William Basinski has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Variation VII: Section IV being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sketch 3 | Tim Hecker | C Major | 1 | 8B | 69 BPM | ||
| Ubiquitous | Sofie Birch | F♯ Minor | 0 | 11A | 130 BPM | ||
| Stasis Sounds for Long-Distance Space Travel (Stage 2) | 36, zakè | D Minor | 2 | 7A | 141 BPM | ||
| Moments In Love | Kara-Lis Coverdale | C Minor | 1 | 5A | 73 BPM | ||
| Falling Water Lullaby | Ulla | G Major | 0 | 9B | 136 BPM | ||
| Lights of Little Towns | Pan-American | A Minor | 2 | 8A | 82 BPM | ||
| Chonchos | Bing & Ruth | C Major | 0 | 8B | 180 BPM | ||
| Airless Linger | Abul Mogard | G Major | 2 | 9B | 70 BPM | ||
| Well | KMRU | C Major | 2 | 8B | 66 BPM | ||
| Degree of Change | KMRU | D♭ Major | 0 | 3B | 142 BPM | ||
| Melancholia VII | William Basinski | F♯ Major | 1 | 2B | 65 BPM | ||
| Saturday Evening | Tomasz Bednarczyk | F♯ Major | 0 | 2B | 58 BPM | ||
| Cascade 1.8 | William Basinski | B♭ Minor | 1 | 3A | 128 BPM | ||
| Subterraneans | alva noto, Martin Gore, William Basinski | B Minor | 2 | 10A | 83 BPM | ||
| I Will | Brian McBride | A♭ Major | 1 | 4B | 76 BPM | ||
| Glen's Goo | The Dead Texan | D♭ Minor | 2 | 12A | 65 BPM | ||
| Watch Me - Remix by William Basinski and Gary Thomas Wright | Camilla Sparksss, William Basinski, Gary Thomas Wright | C Major | 4 | 8B | 88 BPM | ||
| Sleepy Eye | Susumu Yokota | C Major | 8 | 8B | 180 BPM | ||
| TCCTF | Caterina Barbieri | F Major | 0 | 7B | 61 BPM | ||
| Latent Sonata | Brian McBride | A Major | 0 | 11B | 134 BPM | ||
| 4:14 | Global Communication | D Major | 2 | 10B | 148 BPM | ||
| Descend From Now | Dedekind Cut | B Major | 4 | 1B | 145 BPM | ||
| Omni Vignette | Clark | D♭ Major | 0 | 3B | 112 BPM | ||
| Watermusic 1.6 | William Basinski | A Minor | 0 | 8A | 78 BPM | ||
| Beeside | Belong | E Major | 3 | 12B | 74 BPM |