"Kate's Motel" by Michael Giacchino had its release date on March 21, 2006. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Kate's Motel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Giacchino's "Lost: Season 1 (Original Television Soundtrack)" album is number 23 out of 27. Kate's Motel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kate's Motel by Michael Giacchino to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Going In | Marc Streitenfeld | C Major | 0 | 8B | 105 BPM | ||
| Auschwitz | Timothy Williams | A Minor | 0 | 8A | 96 BPM | ||
| Tomorrow Again | Stephor Shpandau | E Minor | 2 | 9A | 95 BPM | ||
| Free Fall | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| A Cabin On The Lake | Jed Kurzel | D Major | 0 | 10B | 65 BPM | ||
| "10 Haunted Hotels" | Gabriel Yared | G Major | 6 | 9B | 91 BPM | ||
| Goodbye To Jess | The Prestige | E Major | 0 | 12B | 77 BPM | ||
| Harry & Hermione | Nicholas Hooper | C Major | 0 | 8B | 90 BPM | ||
| The Search Party | Jóhann Jóhannsson | C Minor | 0 | 5A | 73 BPM | ||
| The Constant | Michael Giacchino | F Major | 1 | 7B | 87 BPM | ||
| A New Day In The Old Town | Chris Tilton | C Minor | 2 | 5A | 160 BPM | ||
| Happily Ever After | Michael Giacchino | A Minor | 0 | 8A | 59 BPM | ||
| A Different Man - End Credits Suite | Umberto Smerilli | E♭ Major | 1 | 5B | 93 BPM | ||
| Look Who's Stalking | Michael Giacchino, Tim Simonec, Hollywood Studio Symphony Orchestra | D♭ Major | 1 | 3B | 87 BPM | ||
| Scarecrow Discovered / Scarecrow Is Captured / Scarecrow On a Skewer - From The Episode "Nothing To Fear" | Shirley Walker | D Minor | 1 | 7A | 90 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Maggie's Plea | Clint Eastwood | D♭ Major | 1 | 3B | 61 BPM | ||
| Come Back to Me | Roque Baños | B♭ Major | 0 | 6B | 96 BPM | ||
| Collecting Wallets | Marc Streitenfeld | E Major | 2 | 12B | 81 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| Orchestral Arches: III. Dolente - Live | Maya Badian, National Arts Centre Orchestra, Gary Kulesha | E♭ Major | 2 | 5B | 111 BPM | ||
| Warring States I | Akihiro Manabe | D Minor | 1 | 7A | 97 BPM | ||
| Unravelling | Harry Escott | C Minor | 2 | 5A | 120 BPM | ||
| Mess It All Up | Michael Giacchino | F Major | 0 | 7B | 77 BPM |