"The Way You Look Tonight" by Rod Stewart had its release date on October 8, 2002. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rod Stewart's "It Had To be You... The Great American Songbook" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. The Way You Look Tonight is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Way You Look Tonight by Rod Stewart to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Star Crossed Lovers | Barry Gibb | A♭ Major | 4 | 4B | 93 BPM | ||
| The Good Life | Glenn Frey | B♭ Major | 3 | 6B | 95 BPM | ||
| Too Much Heaven (feat. Alison Krauss) | Barry Gibb, Alison Krauss | D♭ Major | 4 | 3B | 76 BPM | ||
| If | Bread | A Major | 2 | 11B | 98 BPM | ||
| The Way You Look Tonight | Michael Bublé | F♯ Major | 5 | 2B | 110 BPM | ||
| What a Wonderful World | Renee Olstead | D Minor | 2 | 7A | 131 BPM | ||
| 素直になれなくて | Marcelo Resende | G Minor | 2 | 6A | 188 BPM | ||
| I'd Rather Leave While I'm In Love | Rita Coolidge | A♭ Major | 6 | 4B | 132 BPM | ||
| A Love So Beautiful | Roy Orbison | C Major | 4 | 8B | 64 BPM | ||
| Do You Want to Dance | Bette Midler | G Minor | 4 | 6A | 167 BPM | ||
| Ev'ry Time We Say Goodbye | Ray Charles, Betty Carter | A♭ Major | 2 | 4B | 120 BPM | ||
| Long Ago Tomorrow | B.J. Thomas | G Minor | 3 | 6A | 96 BPM | ||
| Everything I Own | Bread | D Major | 3 | 10B | 79 BPM | ||
| Just Once | Quincy Jones | C Major | 2 | 8B | 72 BPM | ||
| Fallen | Lauren Wood | E♭ Major | 1 | 5B | 113 BPM | ||
| Dream | Diana Krall | C Major | 1 | 8B | 68 BPM | ||
| Take On Me - MTV Unplugged / Edit | a-ha | A Major | 1 | 11B | 129 BPM | ||
| Do That To Me One More Time | Captain & Tennille | G Major | 5 | 9B | 90 BPM | ||
| Don't Dream It's Over | Paul Young | C Major | 5 | 8B | 80 BPM | ||
| True | Spandau Ballet | C Major | 5 | 8B | 100 BPM | ||
| How Deep Is Your Love (feat. Little Big Town & Tommy Emmanuel) | Barry Gibb, Little Big Town, Tommy Emmanuel | F Minor | 4 | 4A | 98 BPM | ||
| What A Difference A Day Makes | Rod Stewart | G Minor | 4 | 6A | 88 BPM | ||
| Crazy | Julio Iglesias | F Minor | 2 | 4A | 107 BPM | ||
| I've Got You Under My Skin | Rod Stewart | F♯ Major | 6 | 2B | 116 BPM | ||
| Broke My Heart in Two | Alma Thomas | F Minor | 6 | 4A | 135 BPM |