ahab's ' "Wagon Wheel" was released on its scheduled release date, 2012. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in ahab's "Live in London" album is number 5 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Wagon Wheel is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Wagon Wheel by ahab to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come Out Of The Woods | Matthew And The Atlas | D Major | 4 | 10B | 129 BPM | ||
| Choice | Benedict Haag | C Major | 1 | 8B | 108 BPM | ||
| The Way You Were Raised | Admiral Fallow | F♯ Major | 1 | 2B | 72 BPM | ||
| clarita de lune - fm Version | Stephen Youmoore | D Major | 7 | 10B | 125 BPM | ||
| My Secret is My Silence | Roddy Woomble | E♭ Major | 7 | 5B | 142 BPM | ||
| Where I'm Goin' | Jalyn Short | B♭ Major | 4 | 6B | 95 BPM | ||
| Rosalie | Jarrod Dickenson | F♯ Major | 4 | 2B | 114 BPM | ||
| Waiting For The Storm | Richard Shindell | B Minor | 7 | 10A | 109 BPM | ||
| Maybe There's A Road | Karine Polwart | C Major | 6 | 8B | 134 BPM | ||
| Bluebird | Sam Kelly, The Lost Boys | B Major | 6 | 1B | 132 BPM | ||
| Huntsville Affair | NQ Arbuckle | E Minor | 7 | 9A | 119 BPM | ||
| Oh Say | THE BENTLEYS | A Minor | 3 | 8A | 95 BPM | ||
| Salters Road | Karine Polwart | B Major | 1 | 1B | 188 BPM | ||
| A Man Apart | Ben Ottewell | G Major | 8 | 9B | 93 BPM | ||
| Mya Bonny Boys Have Gone | Mandel Tom | C Major | 3 | 8B | 165 BPM | ||
| Begin Again | Beinn Lee | G Major | 8 | 9B | 102 BPM | ||
| A Special Place in Hell | The John Byrne Band | C Major | 8 | 8B | 122 BPM | ||
| Where the World Divides | Oysterband | B Minor | 8 | 10A | 145 BPM | ||
| Let The Moments Be Moments Again | Morgan Finlay | A Minor | 3 | 8A | 95 BPM | ||
| Fathers Eyes | ahab | G Major | 7 | 9B | 116 BPM | ||
| I'll Never Forgive You | Steve Knightley, Philip Henry, Track Dogs, Matt Clifford, Johnny Kalsi, Phil Beer, The Lost Sound Chorus, Ross Wilson, Mark Tucker | F Minor | 4 | 4A | 116 BPM | ||
| House Of Cards | James Keelaghan | E♭ Major | 5 | 5B | 76 BPM | ||
| When No One's Watching | Civil Brother | A Minor | 3 | 8A | 95 BPM | ||
| Black and Blue | The Stunning | A Minor | 8 | 8A | 147 BPM | ||
| All You Pretty Girls | Jim Moray | G Major | 4 | 9B | 101 BPM |