Ann Reed's ' "Hole In The Day" was released on its scheduled release date, January 1, 1993. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Hole In The Day's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ann Reed's "Hole In The Day" album is number 5 out of 12. The popularity of Hole In The Day is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hole In The Day by Ann Reed to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| V-Day | Starlight and Pine | B♭ Major | 4 | 6B | 177 BPM | ||
| Chasing the Sun | Karan Casey | C Major | 2 | 8B | 95 BPM | ||
| All That Is | Garnet Rogers | D Major | 2 | 10B | 111 BPM | ||
| I Meant to Do My Work Today | Carrie Newcomer | F♯ Major | 2 | 2B | 90 BPM | ||
| Bubbles in the Skies | Danny Allock | G Minor | 0 | 6A | 76 BPM | ||
| Evening News | David Francey | C Major | 3 | 8B | 165 BPM | ||
| Dublin Diner | Michelle Burke, Heidi Talbot | A Minor | 1 | 8A | 86 BPM | ||
| Be Like the Sea | Cathie Ryan | A Major | 3 | 11B | 146 BPM | ||
| At the End of the Path | Bere Mendoza | F Major | 4 | 7B | 80 BPM | ||
| Dun Do Shuile | Maura O'Connell | F Minor | 1 | 4A | 104 BPM | ||
| Julia | Kala Farnham | G Minor | 0 | 6A | 76 BPM | ||
| Bee Thou My Vision | Vanessa Susanna | E Major | 2 | 12B | 78 BPM | ||
| Monsters | Haverin | G Minor | 0 | 6A | 76 BPM | ||
| Joehn Rae's Welcome Home | Mandel Tom | G Major | 3 | 9B | 94 BPM | ||
| Snowfall (feat. Jc Kuhl, Stuart Gunter, Charles Arthur & Stewart Meyers) | Tom Proutt, Emily Gary, Jc Kuhl, Stuart Gunter, Charles Arthur, Stewart Meyers | G Major | 3 | 9B | 161 BPM | ||
| Anonymous Love | The Shady Blues | G Minor | 0 | 6A | 76 BPM | ||
| Every Road I Travel | Late Start Productions | E♭ Major | 3 | 5B | 80 BPM | ||
| I'm Still Standing Here | Karan Casey | B♭ Major | 3 | 6B | 90 BPM | ||
| The Reasons Why I'm Gone | Michelle Wright | C Major | 4 | 8B | 121 BPM | ||
| Under the Olive Tree | J SHOES 5 | A Major | 4 | 11B | 82 BPM | ||
| The Evergreen | Mary Scholz | B♭ Major | 3 | 6B | 146 BPM | ||
| I'm Losing You | Kate & Anna McGarrigle | B Minor | 1 | 10A | 135 BPM | ||
| Take The High Road | Tatiana Bookbinder | A Major | 3 | 11B | 144 BPM | ||
| Walk | Ann Reed | A Major | 2 | 11B | 83 BPM | ||
| Howl At The Moon | Priscilla Herdman | A Major | 1 | 11B | 111 BPM |