"The Night We Called It A Day - Live" by Ruth Cameron had its release date on January 1, 1998. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 7 in First Songs by Ruth Cameron. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The Night We Called It A Day - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Night We Called It A Day - Live by Ruth Cameron is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For All We Know | Mandy Barnett | F Major | 2 | 7B | 66 BPM | ||
| Never Let Me Go | Cæcilie Norby | F♯ Major | 1 | 2B | 162 BPM | ||
| I've Got A Crush On You | Chris Connor | D Minor | 0 | 7A | 94 BPM | ||
| Summertime | Malene Mortensen | G Minor | 2 | 6A | 111 BPM | ||
| Easy To Love | Patricia Barber | D Minor | 4 | 7A | 141 BPM | ||
| Let's Call It A Day | Charlie Haden Quartet West, Ruth Cameron | C Major | 3 | 8B | 114 BPM | ||
| When I Close My Eyes | Mary Stallings | D Major | 1 | 10B | 107 BPM | ||
| Black Coffee | Live Foyn Friis, Bård Helgerud, Rodrigo Villagra, Magnus Sefaniassen Eide | D Minor | 3 | 7A | 93 BPM | ||
| You Hit the Spot | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | A Major | 4 | 11B | 103 BPM | ||
| Hours Of Ours | Sinne Eeg, Lars Jansson, Morten Lund, Mads Vinding | B♭ Major | 3 | 6B | 169 BPM | ||
| 'Round Midnight | Mary Stallings | B♭ Minor | 2 | 3A | 99 BPM | ||
| As Long as He Needs Me | Veronica Swift | F Major | 1 | 7B | 123 BPM | ||
| Wild Is Love | Naama, Peter Bernstein | B♭ Major | 2 | 6B | 87 BPM | ||
| Let’s Make The Most Of A Beautiful Thing | Erin Boheme | D♭ Major | 2 | 3B | 111 BPM | ||
| One for My Baby - And One More for the Road | Jacintha | B♭ Major | 2 | 6B | 125 BPM | ||
| These Foolish Things | Cassandra Wilson | D Major | 3 | 10B | 122 BPM | ||
| Everytime We Say Goodbye | Karrin Allyson | D♭ Major | 3 | 3B | 76 BPM | ||
| I Wish You Love | Lauren Henderson, Eric Wheeler, Joe Dyson, Joel Ross, Sean Mason | A♭ Major | 4 | 4B | 114 BPM | ||
| Calling You | Viktoria Tolstoy, Iiro Rantala, Nils Landgren | E Major | 2 | 12B | 144 BPM | ||
| Moon River | Nicole Henry | F♯ Major | 2 | 2B | 52 BPM | ||
| I Didn't Know About You | Jocelyn Barth, David Restivo | D♭ Major | 1 | 3B | 74 BPM | ||
| Laughin' At Life | Malene Mortensen | G Major | 4 | 9B | 80 BPM | ||
| No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| And If You Please | Mario Romano, Jackie Richardson | C Major | 6 | 8B | 150 BPM | ||
| One For My Baby | Dianne Reeves | G Major | 1 | 9B | 206 BPM |