Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix I: Pas de deux by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra Song Details

"Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix I: Pas de deux" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra had its release date on January 1, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix I: Pas de deux's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix I: Pas de deux by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

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Popularity: 35%
Loudness: -19.407 dB
Acousticness: 95%
Danceability: 28%
Energy: 13%
Instrumentalness: 82%
Liveness: 8%
Loudness: 68%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 6, Pas d'action. Andantino, quasi moderato - Allegro	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	E Major	1	12B	62 BPM
Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March]	Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov	C Major	4	8B	135 BPM
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage	Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth	E♭ Major	0	5B	142 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Don Quixote, Act 3: Coda (Arr. John Lanchbery)	John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria	A Major	4	11B	146 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	F Minor	0	4A	85 BPM
Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv	Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado	E♭ Major	2	5B	73 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto	Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner	E Major	1	12B	137 BPM
Vienna Blood - Waltz Op. 354	Johann Strauss II, Hallé, Bryden Thomson	C Major	0	8B	178 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Minor	1	8A	100 BPM
Scene, Act 2 from Swan Lake	London Symphony Orchestra	E Minor	0	9A	118 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	130 BPM
Spartacus: Variation of Aegina and Bacchanalia	Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits	D♭ Major	3	3B	132 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	139 BPM
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, London Symphony Orchestra, István Kertész	D Major	1	10B	125 BPM
The Sleeping Beauty, Op. 66, Act I: No. 8, Pas d'action: a. Rose Adagio	Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti	E♭ Major	2	5B	71 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Sicilienne, Op. 78 (arr. for flute and harp)	Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman	B♭ Major	1	6B	153 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	E Major	0	12B	69 BPM
Verdi: Ballet (Otello): Verdi: Ballet (Otello)	Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić	A Minor	0	8A	120 BPM
Romeo and Juliet	London Symphony Orchestra	D Major	3	10B	76 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 25, Entr'acte	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	D♭ Major	0	3B	81 BPM
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka)	Academy of St. Martin in the Fields	E Minor	0	9A	168 BPM
Gayaneh: Sabre Dance	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	6	8B	86 BPM