Mere Man Mein Bas Gayi Re
Ramavtar Sharma, Rajneesh Sharma, Sangeeta Pant
Kanha Tere Naina Kajrare
7:16 July 27, 2005
BPM
136
Key
B♭ Major
Camelot
6B

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Mere Man Mein Bas Gayi Re by Ramavtar Sharma, Rajneesh Sharma, Sangeeta Pant Song Details

Ramavtar Sharma, Rajneesh Sharma, Sangeeta Pant's ' "Mere Man Mein Bas Gayi Re" was released on its scheduled release date, July 27, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ramavtar Sharma, Rajneesh Sharma, Sangeeta Pant's "Kanha Tere Naina Kajrare" album is number 10 out of 10. Based on our statistics, Mere Man Mein Bas Gayi Re's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Mere Man Mein Bas Gayi Re by Ramavtar Sharma, Rajneesh Sharma, Sangeeta Pant to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.83 dB
Acousticness
49%
Danceability
58%
Energy
84%
Instrumentalness
0%
Liveness
24%
Loudness
85%
Speechiness
17%
Valence
68%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records