"Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor" by Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey had its release date on January 1, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Orchestral Pieces from Parsifal . Tristan & Isolde . Tannhäuser by Richard Wagner, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #6 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor by Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Walküre, Act III Scene 3: War es so schmählich, was ich verbrach | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 82 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Viktoria! Der Meister soll leben! | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
| Parsifal, WWV 111, Act III Suite (Ed. Abbado): Karfreitagszauber "Good Friday Music" | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
| Parsifal, Act I: O wunden-wundervoller heiliger Speer | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 65 BPM | ||
| Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
| Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
| The Queen of Spades, Op. 68: Introduction | Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre Orchestra | D Major | 2 | 10B | 176 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
| Götterdämmerung, WWV 86D, Act I: Day Breaking 'Round Siegfried's and Brünnhilde's Passion | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | B♭ Minor | 1 | 3A | 68 BPM | ||
| Also sprach Zarathustra, Op. 30: V. Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 80 BPM | ||
| 歌劇「妖精ヴィッリ」: 妖精たちの踊り | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM | ||
| Carmina Burana: IV. Omnia Sol temperat | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
| Wagner: Der fliegende Holländer, Act 1: Overture | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
| Lux aetera | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | B♭ Major | 1 | 6B | 84 BPM | ||
| Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
| Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
| Der Freischütz, J. 277, Act III: Was gleicht wohl auf Erden dem Jägervergnügen? | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | D Major | 5 | 10B | 124 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
| Gurrelieder, Pt. 3: No. 22, Seht die Sonne (Mixed Chorus) | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Chorus, Jan Rozehnal | E Major | 3 | 12B | 89 BPM | ||
| La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
| Luonnotar, Op. 70 | Jean Sibelius, Soile Isokoski, Gothenburg Symphony Orchestra, Neeme Järvi | F♯ Minor | 1 | 11A | 132 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 4. Carillon | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 0 | 12B | 115 BPM | ||
| Die Walküre, Act I Scene 3: Siegmund, den Wälsung, siehst du, Weib! | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | C Major | 4 | 8B | 86 BPM |