"Dance macabre, Op. 40, R. 171 (Arr. for Violin & Piano)" by Camille Saint-Saëns, Valeria Zorina, Evgeny Sinaiski had its release date on July 16, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Soundmaps: Extended Realities". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. In terms of popularity, Dance macabre, Op. 40, R. 171 (Arr. for Violin & Piano) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dance macabre, Op. 40, R. 171 (Arr. for Violin & Piano) by Camille Saint-Saëns, Valeria Zorina, Evgeny Sinaiski having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elegance of Dancing Stars | Isabella Fontaine | E Major | 0 | 12B | 128 BPM | ||
| Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | ||
| Nocturne No. 2 by Chopin | Lonely Piano | E♭ Major | 1 | 5B | 114 BPM | ||
| Spanish Dances, Op. 21: No. 2, Habañera | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | A Minor | 2 | 8A | 93 BPM | ||
| Le quattro stagioni, Violin Concerto in in F Minor, Op. 8 No. 4, RV 297 “L’inverno” (Winter): I. Allegro non molto | Antonio Vivaldi, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 101 BPM | ||
| 2 Morceaux, Op. 10: No. 2, Humoresque in G Major. Menuet | Luigi Boccherini, Mela Tenenbaum, Anton Nel | A Major | 1 | 11B | 100 BPM | ||
| Unser Letzter Walser | Franz Gordon | B Minor | 2 | 10A | 143 BPM | ||
| III. Minuetto (Featured in "The Ladykillers") | Luigi Boccherini, György Éder, Danubius String Quintet | A Major | 0 | 11B | 126 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| 8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F♯ Major | 0 | 2B | 87 BPM | ||
| Il barbiere di Siviglia: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
| Pelléas et Mélisande: IX. Mélisande au rouet | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
| The Hall of The Mountain King | Armonie Symphony Orchestra | B Minor | 0 | 10A | 101 BPM | ||
| Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
| Violin Concerto in G Minor, Op. 3 No. 6: IIIa. Vivace | Pietro Locatelli, Raglan Baroque Players, Nicholas Kraemer, Elizabeth Wallfisch | E Major | 1 | 12B | 103 BPM | ||
| Boccherini Minuet | Noel Chamber Orchestra | D Major | 2 | 10B | 91 BPM | ||
| Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
| Danzón No. 2 (Transcr. Gómez-Tagle for Piano) | Arturo Márquez, Yuja Wang | A Minor | 2 | 8A | 117 BPM | ||
| Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | ||
| goin' through | Ford Duet, Ghoat duet | A Minor | 4 | 8A | 95 BPM | ||
| Tritsch-Tratsch Polka, Op. 214 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | A Minor | 1 | 8A | 87 BPM | ||
| Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
| The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM | ||
| Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra, Aline Brewer | C Major | 1 | 8B | 86 BPM | ||
| Midsummer Night's Dream, Op. 61: No. 9, Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM |