On November 27, 2001, the song "Banjaara Ribalad" was released by Harish Dangi, Kavita, Tara Purohit. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Thane Naina Mein Basalun". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. In terms of popularity, Banjaara Ribalad is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Banjaara Ribalad by Harish Dangi, Kavita, Tara Purohit having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| Bondhu Tin Tinta Chithi Dilam | Momtaz | G Major | 6 | 9B | 160 BPM | ||
| Jai Jai Balaknath Yogieshwar | Rakesh Kala | E Major | 4 | 12B | 92 BPM | ||
| Noor-e-Khuda Baghdad Mein | Jani Babu | E Minor | 8 | 9A | 107 BPM | ||
| Mati Ke Putri | Dukalu Yadav | C Minor | 8 | 5A | 164 BPM | ||
| Maayer Ekfota Dukher Reen | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Mann Ke Manoti La | Gorelal Burman, Shantilal Shah | D♭ Major | 7 | 3B | 127 BPM | ||
| Aayo Re Aayo | Harish Dangi, Kavita, Tara Purohit | F Major | 5 | 7B | 91 BPM | ||
| Sakhi Dekh Shyam Shingaar | Rajendra Vyas | D Minor | 8 | 7A | 90 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Prabhu Aise Hriday Mein | Madan Gopal | E♭ Minor | 5 | 2A | 150 BPM | ||
| Saya Bankar Har Pal | Reshmi Sharma | A Major | 6 | 11B | 161 BPM | ||
| Hala Karu Hu | Baps Swaminarayan Sanstha | E Major | 3 | 12B | 132 BPM | ||
| Chalo Mummy Chalo Papa Ek Baar Le Chalo Hamein Jotaanwali Ke Darbar Le Chalo | Vipin Sachdeva | A Major | 5 | 11B | 106 BPM | ||
| Koi Na Pyar Kare | Devinder Kohinoor | A Major | 5 | 11B | 146 BPM | ||
| Bhairuji Ki Amritwani 1 | Harish Dangi | F♯ Minor | 6 | 11A | 103 BPM | ||
| Rea Buggi Datia | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Minor | 7 | 8A | 84 BPM | ||
| Om Namah Shivay - Maithili | Sharda Sinha, Vandana Sinha | D♭ Minor | 6 | 12A | 154 BPM | ||
| Jheeni Jheeni Beeni Chadariya-Kabir Bhajan | Amrita Chaturvedi, Upadhyay | D♭ Major | 5 | 3B | 104 BPM | ||
| Tarje Dubadjeh (feat. Deepali Somaiya) | Paras Borkhatria, Deepali Somaiya | G Minor | 6 | 6A | 82 BPM | ||
| Sat Ke Sandeshiya | Gorelal Burman, Shantilal Shah | G Major | 5 | 9B | 125 BPM | ||
| Mohabbat Pe Kiski Bahrosa Kare | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Trupati Bala Ji Ka Naam Japle | Babla Mehta | F Minor | 4 | 4A | 75 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Sun Ho Pahun | Sharda Sinha | E♭ Major | 8 | 5B | 156 BPM |