Jack McDuff, Jimmy Forrest's 'Mean to Me' had a release date set for 1960. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Tough 'Duff". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. In terms of popularity, Mean to Me is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Mean to Me by Jack McDuff, Jimmy Forrest having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Tango In Paris | Reuben Wilson, Garnett Brown, Melvin Sparks, Bob Cranshaw, Ray Armando, Mi$ | F Major | 4 | 7B | 121 BPM | ||
| Gentle Smiles (Saxy) | Gary Bartz | F Minor | 7 | 4A | 97 BPM | ||
| 24-Carat Black (Theme) | 24 Carat Black | G Minor | 7 | 6A | 120 BPM | ||
| Move Your Hand - Live At Club Harlem, Atlantic City, NJ/1969 / Remixed 1995 | Dr. Lonnie Smith | E Major | 6 | 12B | 177 BPM | ||
| Beep-Bo-Boo | Jack McDuff | D Major | 9 | 10B | 99 BPM | ||
| Theme From Electric Surfboard | Jack McDuff | F♯ Major | 6 | 2B | 98 BPM | ||
| Sweetback | Boogaloo Joe Jones | G Major | 8 | 9B | 95 BPM | ||
| Sing A Simple Song | Charles Earland | E Major | 9 | 12B | 104 BPM | ||
| The Look Of Slim | Monk Higgins | D Minor | 4 | 7A | 82 BPM | ||
| Brown-Baggin' | 24 Carat Black | B♭ Major | 6 | 6B | 94 BPM | ||
| The Two-Headed Freap | Ronnie Foster | F Minor | 5 | 4A | 134 BPM | ||
| Black Light | Alan Parker | E Minor | 4 | 9A | 122 BPM | ||
| Little Green Apples | Monk Higgins | F Major | 5 | 7B | 87 BPM | ||
| Mis' Mary's Place | Ronnie Laws | G Major | 6 | 9B | 82 BPM | ||
| Soul Village | Blue Mitchell | F Major | 5 | 7B | 121 BPM | ||
| Soul Junction | The Backyard Heavies | G Major | 8 | 9B | 95 BPM | ||
| Urizen | David Axelrod | B♭ Minor | 5 | 3A | 118 BPM | ||
| Listen Here | Young-Holt Unlimited | A♭ Major | 3 | 4B | 93 BPM | ||
| Repeat After Me | The Three Sounds | C Major | 7 | 8B | 157 BPM | ||
| Play It Back - Live At Club Mozambique, Detroit, 1970 | Dr. Lonnie Smith | D♭ Major | 7 | 3B | 111 BPM | ||
| Tidal Wave | Ronnie Laws | B♭ Major | 7 | 6B | 96 BPM | ||
| Harlem Hendoo | Al Hirt | E Minor | 4 | 9A | 182 BPM | ||
| Twenty-Five Miles | Dr. Lonnie Smith | D Minor | 7 | 7A | 133 BPM | ||
| I Got So Much Trouble | Charles Kynard | D Major | 7 | 10B | 120 BPM | ||
| It's Too Late | Johnny "Hammond" Smith | G Major | 7 | 9B | 110 BPM |