"Romance from Opera “ L’elisir D’amore ”" by G. ドニゼッティ, アレクセイ・トカレフ(トランペット), 佐藤勝重(ピアノ) had its release date on August 25, 2014. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Trympet Voluntary". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Japan. Romance from Opera “ L’elisir D’amore ” is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romance from Opera “ L’elisir D’amore ” by G. ドニゼッティ, アレクセイ・トカレフ(トランペット), 佐藤勝重(ピアノ) having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piazzolla: Oblivion | Julian Lloyd Webber, John Lenehan | D Minor | 0 | 7A | 81 BPM | ||
| チェロ協奏曲 ニ長調 作品101 Hob. VIIb-2 II - Adagio | Joseph Haydn, 藤原真理, Netherlands Chamber Orchestra, Michiyoshi Inoue | A Major | 1 | 11B | 103 BPM | ||
| Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Samuel Lipman, Martin Hoherman, Boston Pops Orchestra, Arthur Fiedler | D Major | 3 | 10B | 129 BPM | ||
| Holberg Suite, Op. 40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
| Mozart: Flute Sonata in C Major, K. 296: II. Andante sostenuto (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | D Major | 1 | 10B | 137 BPM | ||
| Mendelssohn, Fanny: 6 Lieder, Op. 9: No. 6, Die Mainacht (Version for Flute and Piano) | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Minor | 1 | 12A | 72 BPM | ||
| Hino 174 - Vem Atender ao Seu Chamado - Clarinete | Encontro dos Amigos | G Major | 1 | 9B | 66 BPM | ||
| Violin Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato | Friedrich Seitz, Hyejin Chung, Warren Lee | G Major | 1 | 9B | 127 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Pierre Génisson, Jakob Lehmann, Concerto Köln | F Major | 1 | 7B | 126 BPM | ||
| Tre Danze Latine: I. Contradanza - Clarinet and Piano | Michele Mangani, Seunghee Lee, Steven Beck | A Minor | 0 | 8A | 142 BPM | ||
| Harp Concerto in A Major: III. Rondo. Allegretto | Carl Ditters von Dittersdorf, Andrea Vigh, Budapest Strings, Karoly Botvay | A Major | 2 | 11B | 142 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 1, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 77 BPM | ||
| Le carnaval des animaux (The Carnival of the Animals): Le cygne (The Swan) | Stockholm Chamber Duo | E Major | 1 | 12B | 119 BPM | ||
| Harp Concerto in B flat, Op.4, No.6, HWV 294: 3. Allegro moderato | George Frideric Handel, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | B♭ Major | 2 | 6B | 91 BPM | ||
| Mazurka in E-Flat Minor, Op. 12 | Edmund Schuecker, Janos Balint, Nora Mercz | F♯ Major | 0 | 2B | 101 BPM | ||
| III. Nocturne from String Quartet No. 2 in D Major | Alexander Borodin, Saulius Sondeckis, St. Petersburg Camerata | D Major | 1 | 10B | 175 BPM | ||
| Entrega | Juan Pablo Fernández Ramos | A♭ Minor | 0 | 1A | 94 BPM | ||
| Merikanto : Valse Lente | Oskar Merikanto, Kaija Saarikettu, Raija Kerppo | B♭ Major | 0 | 6B | 88 BPM | ||
| Andante in C Major, K. 315 (arr. N. Mercz) | Nora Mercz, Wolfgang Amadeus Mozart, Janos Balint | C Major | 0 | 8B | 72 BPM | ||
| Clarinet Quintet in A Major, K. 581: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM | ||
| Andante | Antonio Capuzzi, Philip Catilinet, David Zerkel, Paolo Andre Gualdi | B♭ Major | 0 | 6B | 63 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb/1: I. Moderato | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | C Major | 1 | 8B | 131 BPM | ||
| Thaïs, DO 24: Meditation (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Jules Massenet, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 88 BPM |