"Evocations" by Pierre Porte had its release date on 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Variations classiques et symphoniques by Pierre Porte. The song's track number on the album is #14 out of 14 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Evocations is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Evocations by Pierre Porte has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Evocations being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canal Grande | Il Grande Orchestra Veneziano | G Major | 3 | 9B | 81 BPM | ||
| La Serment Oublié | Nicolas de Angelis | F Major | 2 | 7B | 117 BPM | ||
| 「男はつらいよ」 メインタイトル | 山本直純, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
| LIPSTICK AND GIRLS - ALBUM TRACK | Stephen Schlaks | C Major | 2 | 8B | 119 BPM | ||
| Overture | Rod McKuen | B♭ Major | 3 | 6B | 76 BPM | ||
| アラビアのロレンス 「アラビアのロレンス」より | Royal Pops Orchestra | D Major | 3 | 10B | 88 BPM | ||
| 別れの曲 ÉTUDE,OP.10,NO.3 | Yukie Nishimura | B Major | 4 | 1B | 124 BPM | ||
| 遥かなる山の呼び声 ~「シェーン」 | ビクター・ヤング楽団 | D Major | 3 | 10B | 48 BPM | ||
| L'oiseau Bleu | S.E.N.S. | A Major | 1 | 11B | 74 BPM | ||
| The Last Chance - Love Theme (Reprise) | Luis Bacalov | B Minor | 1 | 10A | 118 BPM | ||
| ブ-ベの恋人 | アントニオ・マルチーニとニュー・サウンズ・オーケストラ | A Minor | 1 | 8A | 129 BPM | ||
| 赤いスイートピー (オリジナル・カラオケ) | Seiko Matsuda | G Major | 4 | 9B | 84 BPM | ||
| Bacardi Theme | Ricardo Santos | B♭ Major | 2 | 6B | 151 BPM | ||
| ケ・サラ | RAYMOND LEFEVRE ET SON GRAND ORCHESTRE | A Minor | 7 | 8A | 100 BPM | ||
| Otoño Sin Ti | Victor Daniel | C Major | 2 | 8B | 74 BPM | ||
| Minuet (From String Quintet In E) | Berdien Stenberg | D Major | 4 | 10B | 80 BPM | ||
| Sortilège | Pierre Porte, Jean Reculard | G Major | 3 | 9B | 86 BPM | ||
| Yesterday, When I Was Young | 50 Guitars of Tommy Garrett | A Minor | 2 | 8A | 73 BPM | ||
| Don't Fall in Love with a Dreamer | John Fox | A Major | 2 | 11B | 77 BPM | ||
| La guerre | Mort Shuman, Pierre Porte | G Major | 5 | 9B | 181 BPM | ||
| SAY YES - instrumenal version | Yukie Nishimura | B Minor | 1 | 10A | 115 BPM | ||
| エリックの青春 | Claude Ciari | C Major | 4 | 8B | 208 BPM | ||
| サバの女王 | ニュー・ポール・モーリア・グランド・オーケストラ | F Major | 3 | 7B | 101 BPM | ||
| ガラスの入江 - Instrumental | NIAGARA FALL OF SOUND ORCHESTRAL | B♭ Major | 4 | 6B | 175 BPM | ||
| 再見,我的愛人 | Teresa Teng | E♭ Major | 3 | 5B | 114 BPM |