"Mefistofele: Act IV - Notte, cupa, truce" by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala, Michèle Crider had its release date on 1996. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Mefistofele: Act IV - Notte, cupa, truce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mefistofele: Act IV - Notte, cupa, truce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Act IV - Notte, cupa, truce by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala, Michèle Crider is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| Chabrier: L'étoile, Act II: Quatuor des baisers. "Quand on veut ranimer sa belle" (Lazuli, Aloès, Tapioca, Laoula) | Emmanuel Chabrier, Colette Alliot-Lugaz/Magali Damonte/Antoine David/Ghyslaine Raphanel/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, Antoine David, Colette Alliot-Lugaz, Ghyslaine Raphanel, Magali Damonte, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | E♭ Major | 1 | 5B | 75 BPM | ||
| Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| Nerone, Act I: Sei còlta - Chi ama la morte (Simon Mago, Asteria) - Live | Arrigo Boito, Franco Vassallo, Valentina Boi, Orchestra del Teatro Lirico di Cagliari, Francesco Cilluffo | F Major | 2 | 7B | 80 BPM | ||
| Nerone, Act I: Canto d'amore (Voice, Simon Mago, Tigellino, Nerone) | Arrigo Boito, Janos Nagy, Jozsef Dene, Lajos Miller, Ilona Tokody, Klára Takács, József Gregor, Peter Korcsmaros, Pál Kovács, Maria Takacs, Tamara Takács, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Eve Queler | C Minor | 0 | 5A | 72 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Musica proibita, Op. 5 (arr. L. Logi) [Orch. L. Logi] | Stanislao Gastaldon, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | G Major | 1 | 9B | 128 BPM | ||
| Rusalka, Op. 114 / Act 2: Cely svet neda ti, neda | Antonín Dvořák, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 158 BPM | ||
| La Gioconda / Act 3: Là turbini e farnetichi | Amilcare Ponchielli, Nicolai Ghiaurov, National Philharmonic Orchestra, Bruno Bartoletti | D♭ Major | 1 | 3B | 93 BPM | ||
| Wagner: Lohengrin, Act 3: "Weh, nun ist aller Glück dahin!" (Lohengrin, Elsa) | Richard Wagner, Daniel Barenboim, Emily Magee, Peter Seiffert, Staatskapelle Berlin | C Major | 0 | 8B | 68 BPM | ||
| Tosca, Act I: Eccellenza, vado? – Gente là dentro! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
| Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | ||
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
| Mefistofele, Act IV: Act IV: The Night of the Classical Sabbath: Amore! Misterio! (Elena, Faust) | Arrigo Boito, Mario del Monaco, Floriana Cavalli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A♭ Major | 1 | 4B | 179 BPM | ||
| Turandot, Act II: Addio, amore, addio, razza! (Ping, Pong, Pang) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 72 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| Mefistofele / Epilogue: Ave Signor, Signor degli angeli | Arrigo Boito, Cesare Siepi, Mario del Monaco, Coro Del Teatro Dell'Opera Di Roma, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 165 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Orsù, Signor Don Bartolo | Gioachino Rossini, Riccardo Chailly | B♭ Major | 3 | 6B | 127 BPM | ||
| La bohème, Act IV: Vecchia zimarra, senti | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | ||
| Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM |