Satinath Mukherjee's ' "Tumi Sundar Tai Cheye Thaki" was released on its scheduled release date, December 1, 1952. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 34 in All Time Greats, Vol. 1 & 2 by Satinath Mukherjee. Tumi Sundar Tai Cheye Thaki is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Tumi Sundar Tai Cheye Thaki by Satinath Mukherjee is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maago Tomar Bhabna Keno | Hemant Kumar | A♭ Minor | 4 | 1A | 106 BPM | ||
| Aaji Jato Tara Tabo Akashe | Debabrata Biswas | D Major | 3 | 10B | 99 BPM | ||
| Mon Jodi Venge Jay - Original Motion Picture Soundtrack | Sabina Yasmin | G Major | 5 | 9B | 93 BPM | ||
| Ekhono Sarengita Bajchhe | Haimanti Sukla | D♭ Major | 4 | 3B | 81 BPM | ||
| Hasimukhe Basi Phul With Narration | Firoza Begum, Satinath Mukherjee | E♭ Major | 5 | 5B | 137 BPM | ||
| Rat Name Du Chokhe | Sonu Nigam | B Minor | 6 | 10A | 148 BPM | ||
| Chokhe Naame Brishti | Asha Bhosle, R. D. Burman | G Major | 3 | 9B | 118 BPM | ||
| Amar Chetana Chaitanya Kore | Pannalal Bhattacharya | F Minor | 3 | 4A | 139 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Bare Bare Ke Jeno Dake | Manabendra Mukherjee | C Major | 4 | 8B | 133 BPM | ||
| Madira Napiun Ta | Phatteman | G Minor | 4 | 6A | 130 BPM | ||
| Tumi Meghla Diner | Satinath Mukherjee | G Minor | 2 | 6A | 146 BPM | ||
| Oi Shono Pakhio Bolche - Male Version | Bappi Lahiri | D Major | 7 | 10B | 162 BPM | ||
| Bagichay Bulbuli Tui | Manabendra Mukherjee | E Minor | 7 | 9A | 107 BPM | ||
| Ke Jaas Re | S. D. Burman | D♭ Minor | 1 | 12A | 149 BPM | ||
| Ajo Kande Kanane Koyeliya With Narration | Pintoo Bhattacharya, Satinath Mukherjee | D♭ Major | 2 | 3B | 108 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Mone Ki Dwidha Female | Srabani Sen | F Major | 4 | 7B | 85 BPM | ||
| Tumi Aar Ami Sudhu | Shyamal Mitra | D♭ Major | 2 | 3B | 169 BPM | ||
| Anmone Amake Bhabo | Rupankar | B♭ Major | 6 | 6B | 152 BPM | ||
| Na Hoy Mon Dite Tumi Parona | Akhil Bandhu Ghosh | E♭ Major | 3 | 5B | 159 BPM | ||
| Hou Jodi Tumi Nil Akash | S I Tutul | F Major | 7 | 7B | 83 BPM | ||
| Bhebochho Tomaderi Ekar Achhey | Satinath Mukherjee | C Major | 4 | 8B | 114 BPM | ||
| Bhalobasar Aagun Jwalaao | Manna Dey | F Minor | 3 | 4A | 116 BPM | ||
| Hayre Manush, Pt. 2 | Andrew Kishore | B Major | 5 | 1B | 86 BPM |