Parul Rathva's ' "Sinh To Sinh Kevay" was released on its scheduled release date, April 1, 2022. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Umar 16 Ne Lover 17". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Sinh To Sinh Kevay's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sinh To Sinh Kevay by Parul Rathva having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ponjram Popat Bolyo | Parul Rathva | F♯ Minor | 8 | 11A | 132 BPM | ||
| Hariyal Jawani Mori Sukhi Sukhi Jaye Re indian Dance popular Music | Eiti Roy Official | B Major | 10 | 1B | 136 BPM | ||
| Dekhi Le Amaro Zapato | LD Dodva, Mahesh Nargava | F Minor | 9 | 4A | 67 BPM | ||
| Van Ma Bole Koyaldi | Jeliya Bhuriya | B♭ Major | 8 | 6B | 135 BPM | ||
| Vevai Ghano Mongho He Shantu Part 6 | Deepak R Bariya | D♭ Minor | 8 | 12A | 110 BPM | ||
| Dil No Darvajo Taaro Khol | Vikram Chauhan | F♯ Major | 8 | 2B | 133 BPM | ||
| Ramila 3 Part 9 | Deepak R Bariya, Neil Manat | F♯ Major | 9 | 2B | 136 BPM | ||
| Kach Valo Banglo | Rahul Bhuriya, Dileep Dhandar | E Minor | 9 | 9A | 127 BPM | ||
| Dhimi Dhimi Re Kamar Tari Lachake Chhe | Jasvant Patel, Ranjit Suvan, Kishor Patel, Somabhai Baria | F♯ Major | 9 | 2B | 117 BPM | ||
| Chhori Thar Bin Suno Laag Ch | Golu Rawal Dei | D Minor | 9 | 7A | 90 BPM | ||
| Chhori Pani Bhari Jaay Patli Kamar | Kishan Rathva, DJ Dharmesh Savli, Dj Piyush Savli | D♭ Minor | 8 | 12A | 132 BPM | ||
| Khiladi Pt,11 | VK Bhuriya | F Major | 10 | 7B | 131 BPM | ||
| Navagam Ma Sul Bharay Part 3 | Arvind Muniya | A♭ Major | 9 | 4B | 127 BPM | ||
| Tu Mari Rani Baje | Samdu Gurjar | B Major | 9 | 1B | 90 BPM | ||
| PA Brand Jabbar Vage Tur Tone | Dj Safvan | G Major | 9 | 9B | 160 BPM | ||
| Vaki Tumdi - Nathiyo Return Pt,7 | VK Bhuriya, Rahul Bhuriya, Bharat Hd | C Minor | 9 | 5A | 129 BPM | ||
| Nathi Tu Yaad Mari Karevo | Ghanshyam Rathva | F♯ Major | 10 | 2B | 144 BPM | ||
| Na Aave Msg Na Aave Phone | Parul Rathva | E Minor | 8 | 9A | 132 BPM | ||
| BHOJ BAGDAWAT 2 DJ | Badri Lal Gadri, Dev Gadri | C Minor | 10 | 5A | 110 BPM | ||
| Patel Thara Gavliya | Rahul Baghel, Ramesh Mujhalda | A Major | 8 | 11B | 142 BPM | ||
| Rupni Tari Jaho Jalali Timli | Parul Rathva | G Minor | 9 | 6A | 132 BPM | ||
| O sakhi marwar timli song | Tribel Kalakar | A Minor | 9 | 8A | 114 BPM | ||
| Lambo Haido 4 | Deepak R Bariya | G Major | 9 | 9B | 128 BPM | ||
| 12 Ghughri Bariya Ma 16 Ghughri | Anil Piplaj | F♯ Minor | 9 | 11A | 140 BPM | ||
| Jaanu Thane Ne Bhulu | Samdu Gurjar | D♭ Major | 9 | 3B | 100 BPM |