Pallett's ' "Endless Ending" was released on its scheduled release date, December 24, 2016. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Endless Ending's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Endless Ending and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Endless Ending is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Endless Ending by Pallett is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Benshin Tamashayat Konam | Arman Garshasbi | B Minor | 4 | 10A | 116 BPM | ||
| Maraa Be Khaaterat Negah Daar | Chaartaar | E♭ Minor | 6 | 2A | 115 BPM | ||
| Barmigardam | Arman Garshasbi | A Minor | 5 | 8A | 150 BPM | ||
| Iran | Chaartaar | E Minor | 5 | 9A | 143 BPM | ||
| Mo Si To | Heydoo Hedayati | B Minor | 5 | 10A | 130 BPM | ||
| Yambo Sahna | Naser Abdollahi | G Minor | 8 | 6A | 104 BPM | ||
| Mikhahamat | Kābin, Haleh Seyfizadeh | A Minor | 4 | 8A | 115 BPM | ||
| Ta to Boodi | Mohammad Noori, Naser Hoseini | G Minor | 2 | 6A | 81 BPM | ||
| Gham - Remix | Milad Derakhshani | A♭ Minor | 4 | 1A | 107 BPM | ||
| Leylaye Man Koo | Hamid Hami, Babak Bayat | B Minor | 5 | 10A | 167 BPM | ||
| Mobtala | Alireza Eftekhari | B Minor | 5 | 10A | 140 BPM | ||
| BazA | Shahrzad | D♭ Minor | 5 | 12A | 160 BPM | ||
| Khoshbakhtit Arezoome | Siamak Abbasi | F Minor | 3 | 4A | 121 BPM | ||
| Look | Pallett | G Minor | 1 | 6A | 96 BPM | ||
| Navaei | Hadi Hadadi, Mo Shariat | G Minor | 7 | 6A | 156 BPM | ||
| Clapping | Mehdi Saki | A♭ Minor | 6 | 1A | 117 BPM | ||
| Penhan | Niloofar Mohebbi | D♭ Major | 3 | 3B | 110 BPM | ||
| Kalagha | Manouchehr Sakhaee | B♭ Major | 5 | 6B | 99 BPM | ||
| Khandeh | Reza Rohani, Sara Naeini | D Minor | 4 | 7A | 98 BPM | ||
| Enghad Bekhand | 25band | A Minor | 8 | 8A | 105 BPM | ||
| Fasle Bahar | Naser Abdollahi | C Minor | 8 | 5A | 102 BPM | ||
| Man Mast | Mohsen Namjoo | D Minor | 3 | 7A | 114 BPM | ||
| Ey Rafigh | Reza Rohani, Sara Naeini | B♭ Minor | 2 | 3A | 119 BPM | ||
| Deceit (Fareeb) | Hamed Nikpay | B♭ Minor | 5 | 3A | 95 BPM | ||
| Sharayete Hasas (Sensitive Situation) | Bomrani | A Minor | 3 | 8A | 110 BPM |