On December 31, 1979, the song "Pal Do Pal Ka Saath Humara" was released by Mohammed Rafi, Asha Bhosle. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "The Burning Train (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. In terms of popularity, Pal Do Pal Ka Saath Humara is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pal Do Pal Ka Saath Humara by Mohammed Rafi, Asha Bhosle having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paseena Paseena | Sadhana Ghanekar, Aarti Anklikar Tikekar, Vandana Datar, Durga Jasraj, Sharmila, Ratan Sharma | A Minor | 5 | 8A | 171 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Yaad Aa Raha Hai | Bappi Lahiri | E♭ Major | 6 | 5B | 134 BPM | ||
| Sab Kuchh Seekha Ham Ne - Jhankar Beats | Hero And King Of Jhankar Studio, Mukesh | A Minor | 6 | 8A | 99 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Manzil Wohi Hai Pyar Ki | Subir Sen | B Minor | 4 | 10A | 138 BPM | ||
| Commentary Tabussum And Aaj Rapat Jaayen To - Namak Halaal | Tabassum, Asha Bhosle, Kishore Kumar, Bappi Lahiri | D♭ Major | 5 | 3B | 106 BPM | ||
| Mat Ro Mata Lal Tere | Manna Dey, S. D. Burman | F Major | 6 | 7B | 104 BPM | ||
| Rumjhum Barse Badarwa | Zohrabai Ambalawali | F♯ Major | 4 | 2B | 80 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Aur Kya Ahede Wafa - Female Version | R. D. Burman, Asha Bhosle | C Major | 5 | 8B | 159 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Commentry Tabassum And Piya Tu Ab To Aaja - Caravan | Tabassum, Asha Bhosle, R. D. Burman | E Minor | 7 | 9A | 123 BPM | ||
| Yeh Lo Main Haari Piya | Geeta Dutt, Majrooh Sultanpuri | E♭ Major | 5 | 5B | 83 BPM | ||
| Aaja Meri Barbad Mohabbat Ke Sahare | Noor Jehan | E Major | 4 | 12B | 166 BPM | ||
| Dam Bhar Jo Udhar | Mukesh | F♯ Major | 1 | 2B | 128 BPM | ||
| Mohan Ki Muraliya Baje (From "Mela") | Shamshad Begum | G Major | 5 | 9B | 116 BPM | ||
| Ek Baar Kaho Mujhe Pyar Karte Ho | Bappi Lahiri, Sulakshana Pandit | F♯ Minor | 1 | 11A | 90 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Raah Bani Khud Manzil | Hemant Kumar | D♭ Minor | 5 | 12A | 114 BPM | ||
| Commentry Tabassum And O Sathi Chal - Seeta Aur Geeta | Tabassum, Asha Bhosle, R. D. Burman | D Major | 6 | 10B | 89 BPM | ||
| Hari Om Hari | Usha Uthup | D Major | 6 | 10B | 138 BPM | ||
| Aaj Phir Tum Pe | Pankaj Udhas, Anuradha Paudwal | B♭ Minor | 6 | 3A | 88 BPM | ||
| Thillana | M. L. Vasanthakumari | G Major | 8 | 9B | 129 BPM |