Rutland Boughton, New London Orchestra, Ronald Corp's ' "3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast" was released on its scheduled release date, October 1, 2000. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Rutland Boughton: Aylesbury Games; Concerto for Strings & Other Works". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast by Rutland Boughton, New London Orchestra, Ronald Corp having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 11, Go, in the name of Angels and Archangels (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| 6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) | Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | D Major | 2 | 10B | 83 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Parce mihi, Domine | Cristobal de Morales, Erik Westberg Vocal Ensemble, Anders Paulsson | B♭ Major | 0 | 6B | 73 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Requiem, Op.48: VII. "in paradisum" | Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow | D Major | 0 | 10B | 69 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| Symphony in E Minor: III | Florence Beatrice Price, Karen Walwyn, Leslie B. Dunner, New Black Music Repertory Ensemble | C Major | 1 | 8B | 105 BPM | ||
| The Rowan Tree | Kenneth McKellar | F♯ Major | 1 | 2B | 139 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| Adams: Christian Zeal and Activity | John Adams, Edo de Waart, San Francisco Symphony | E Major | 1 | 12B | 78 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| Lorna's Song (From "Lorna Doone") | Rutland Boughton, Victoria Hopper | B♭ Major | 1 | 6B | 77 BPM | ||
| Oboe Quartet 2: II | Rutland Boughton, Mark Baigent, Sophie Barber, Chian Lim, Stephen Orton | A♭ Major | 1 | 4B | 88 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
| General Strike | Geoffrey Burgon | D Major | 1 | 10B | 109 BPM | ||
| Jerusalem (And did those feet in ancient time) | Hubert Parry, Royal Choral Society, London Philharmonic Orchestra & Sir Andrew Davis, Andrew Davis, London Philharmonic Orchestra | F Major | 2 | 7B | 88 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| The lost chord - 1970 Recording | Arthur Sullivan, Stuart Burrows, John Constable | F Major | 2 | 7B | 79 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| Wild Swans - Concert Suite: 2. Eliza Aria | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | F Major | 1 | 7B | 143 BPM |