On November 30, 2022, the song "Kasi Motulagi Senabimari Re" was released by Tapsiram Rathod. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Sena Nacharo Pisa". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Kasi Motulagi Senabimari Re is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kasi Motulagi Senabimari Re by Tapsiram Rathod having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Renuka Yellama Aarti | Balu Shinde | A♭ Minor | 8 | 1A | 142 BPM | ||
| Narasimha Geeeti (Sanskrit) | Vidyabhushana | D♭ Major | 6 | 3B | 126 BPM | ||
| Hello Konchi-Maro Pandya | Jamaka Bai Rathod | A Major | 8 | 11B | 128 BPM | ||
| Love Song (From "Kannappa") [TELUGU] | L. V. Revanth, Sahithi Chaganti, Stephen Devassy, Sreemani | B Minor | 6 | 10A | 150 BPM | ||
| Bolol Jai Piya | Somale Bai Rathod, Jeena Bai Rathod | D♭ Major | 5 | 3B | 117 BPM | ||
| Guru Mantra | Maruthi Kasara, Narona Sarika, Chandramappa Master, Revayya Vasthradamath | B♭ Major | 7 | 6B | 164 BPM | ||
| Chalo Bahi Devalan Aarathi | Somale Bai Rathod, Jeena Bai Rathod | F Major | 6 | 7B | 118 BPM | ||
| Chinnamma Chinnamma | Kailash Kher, Indu Nagaraj, Kaviraj | A♭ Major | 4 | 4B | 92 BPM | ||
| Saree Thando Barhen Jaadu Kora | Tapsiram Rathod | A Minor | 3 | 8A | 82 BPM | ||
| Mookanagabeku - Studio | K. Yuvaraj | F♯ Major | 4 | 2B | 92 BPM | ||
| Basavalinga Mutya Ninna | Prabhakar Chikki | F♯ Minor | 7 | 11A | 167 BPM | ||
| Loka Masam Devi Kamkali Yadi | Tapsiram Rathod | B Major | 4 | 1B | 99 BPM | ||
| Kaiye Kurae Jiya Kathare Badage | Tapsiram Rathod | A Major | 8 | 11B | 128 BPM | ||
| Bangaali Santi Balu Gadibidi | Ramalingaiah Gowda | G Major | 6 | 9B | 176 BPM | ||
| Beliseni Baari Kabba | Mallesh Pandroli, Sinchan Dixit | D Major | 7 | 10B | 145 BPM | ||
| Kshemalingana Namave | Maruthi Kasara, Narona Sarika, Chandramappa Master, Revayya Vasthradamath | B Minor | 6 | 10A | 120 BPM | ||
| Srinivasa Neene Paaliso | Upendra Bhat, Purandaradasaru | E♭ Minor | 7 | 2A | 95 BPM | ||
| Vudalda Leppugu | Vidyabhushana | G Minor | 5 | 6A | 147 BPM | ||
| Jyoti Belagutide - Studio | C. Ashwath, Sangeetha Katti | G Major | 4 | 9B | 160 BPM | ||
| Enu Helali Yamarayanalli | Maruthi Kasara, Narona Sarika, Chandramappa Master, Revayya Vasthradamath | A Major | 6 | 11B | 86 BPM | ||
| Kempana Gallada Pori | M D Anand | A♭ Major | 9 | 4B | 117 BPM | ||
| Jai Sri Loka Masand-Kamkaali Boli Re | Tapsiram Rathod | B♭ Major | 5 | 6B | 75 BPM | ||
| Hanumantha Hanumantha | Sheshagiridas Raichur | G Major | 7 | 9B | 150 BPM | ||
| Gandana Maniyaga | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Naa Hodamele | Ravindranath Desai | F Minor | 6 | 4A | 173 BPM |