"Flying Assault" by Jack Wall had its release date on November 13, 2020. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Flying Assault's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 51 in Call of Duty® Black Ops: Cold War (Official Game Soundtrack) by Jack Wall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Flying Assault is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flying Assault by Jack Wall is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rats of Tobruk | Bear McCreary | D Major | 6 | 10B | 128 BPM | ||
| Daedalus | Jose Pavli | B Minor | 9 | 10A | 150 BPM | ||
| Into the Lion’s Den | Bear McCreary | F Minor | 4 | 4A | 90 BPM | ||
| Exfiltrate the Hotzone | Ludvig Forssell | D♭ Major | 6 | 3B | 102 BPM | ||
| Salazar | Capcom Sound Team | D♭ Major | 4 | 3B | 130 BPM | ||
| Steel Hunter - Battle | WoT Music Team, Andrey Kulik | C Major | 5 | 8B | 80 BPM | ||
| Cordis Die | Jack Wall | D Major | 3 | 10B | 150 BPM | ||
| Der Zerstörer | Mick Gordon | A Major | 10 | 11B | 200 BPM | ||
| ”Two of them. One for each of us!” - El Gigante | 大本望美 | F♯ Major | 8 | 2B | 85 BPM | ||
| No Man | Cris Velasco, Sascha Dikiciyan | F Minor | 3 | 4A | 119 BPM | ||
| Eagle Claw, Pt. 2 | Sean Murray | G Major | 7 | 9B | 100 BPM | ||
| Destiny Into Darkness | Howard Mostrom | G Minor | 4 | 6A | 111 BPM | ||
| Arrival of the Blood Ravens | Paul Leonard-Morgan | A Major | 8 | 11B | 105 BPM | ||
| Prelude To A Lost Cause - Orchestral Version | Mikael Karlsson | F Major | 3 | 7B | 88 BPM | ||
| Savimbi’s Pride | Jack Wall | D Major | 6 | 10B | 147 BPM | ||
| Faster | Pawel Blaszczak | D♭ Minor | 6 | 12A | 135 BPM | ||
| Last Judgment | 中島健太郎 | C Major | 7 | 8B | 150 BPM | ||
| Magma Carta | Jose Pavli | A Minor | 9 | 8A | 116 BPM | ||
| LZ Epsilon | Audiomachine | D Major | 4 | 10B | 137 BPM | ||
| Sly Gloves | Starbreeze Entertainment, Gustavo Coutinho | D♭ Major | 7 | 3B | 129 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| Wandering in the Wastelands | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Wolf in the Dark | Jose Pavli | D Major | 7 | 10B | 120 BPM | ||
| Amerika Town | Jack Wall | E Minor | 5 | 9A | 170 BPM | ||
| Tension Underscore 2 | AfterHours Audio | G Major | 3 | 9B | 90 BPM |