"Animus" by Mike Oldfield had its release date on January 1, 2008. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mike Oldfield's "Music Of The Spheres" album is number 2 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Animus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Animus by Mike Oldfield to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost And Found | Michael Nyman | B Minor | 2 | 10A | 164 BPM | ||
| Nunca Hay Prisa | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | F Minor | 2 | 4A | 100 BPM | ||
| The Pyramidians | Andreas Vollenweider, Isabel Gehweiler, Walter Keiser | A♭ Major | 3 | 4B | 127 BPM | ||
| Emmeline | Philip Riley, Jayne Elleson | B♭ Major | 3 | 6B | 115 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Scarborough Faire | Angels Of Venice | E Minor | 3 | 9A | 80 BPM | ||
| Dance of the Little Fairies | Sky | F Major | 3 | 7B | 141 BPM | ||
| Through The Blue | Roger Eno | F♯ Major | 1 | 2B | 139 BPM | ||
| Good Night | Klaus Badelt | A Minor | 2 | 8A | 176 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| Lament for Atlantis | Mike Oldfield | F♯ Major | 2 | 2B | 118 BPM | ||
| From the Ashes | Mike Oldfield | F Major | 4 | 7B | 100 BPM | ||
| Utopia | Inge Dimmel, Hella | D♭ Major | 1 | 3B | 60 BPM | ||
| Bleu | Nightnoise | E Minor | 3 | 9A | 51 BPM | ||
| Sarakiz: III. Dance | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | A Major | 5 | 11B | 130 BPM | ||
| Dominion - Encore / Live From The Dominion Theatre, London / 6th November 1982 | Tangerine Dream | A Minor | 5 | 8A | 115 BPM | ||
| Angelicus | Bryan El | D♭ Major | 5 | 3B | 110 BPM | ||
| In the Pay of Spain | Andrew Giddings, Ian Anderson, Ian Anderson/Andrew Giddings | A Minor | 3 | 8A | 117 BPM | ||
| Musica Universalis | Mike Oldfield | B Major | 1 | 1B | 100 BPM | ||
| Below The Ocean - The Spirit Of Atlantis | David Arkenstone | G Minor | 3 | 6A | 66 BPM | ||
| Caliburn | Medwyn Goodall | B♭ Minor | 4 | 3A | 75 BPM | ||
| Jack & Aliana Make Love | Trevor Morris | E Minor | 3 | 9A | 74 BPM | ||
| THE BOUNTY: End Credits | San Fernando Symphonic Assembly | C Minor | 3 | 5A | 133 BPM | ||
| Hourglass | Nightnoise | A Minor | 1 | 8A | 137 BPM | ||
| Good News | Ray Lynch | D Major | 0 | 10B | 109 BPM |