Record Folk's 'On the Hill' had a release date set for January 13, 2016. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. On the Hill's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 35 in Acoustic Chill out Guitar by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. On the Hill is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of On the Hill by Record Folk is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arroyo | California Guitar Trio | C Major | 2 | 8B | 128 BPM | ||
| Frogtime Stagger | Mike Dowling | A Major | 2 | 11B | 96 BPM | ||
| Mt. Dora Waltz | Bryan Sutton & Jeff White | G Major | 7 | 9B | 145 BPM | ||
| Sign Language | Phil Keaggy | E Minor | 3 | 9A | 97 BPM | ||
| Cows/New Dress/My Crew | Greg Edmonson | G Major | 2 | 9B | 96 BPM | ||
| I'm the Problem (Instrumental Version) | Stephen Sullivan | F Minor | 2 | 4A | 92 BPM | ||
| Dark Was The Night, Cold Was The Ground | Catfish Keith | A♭ Major | 1 | 4B | 93 BPM | ||
| Arizona Dreams | Western Ambient | A♭ Major | 1 | 4B | 90 BPM | ||
| War Games | Chris Proctor | C Major | 3 | 8B | 94 BPM | ||
| Swamp Rat Vamp | Derek Brookshire | A Minor | 2 | 8A | 90 BPM | ||
| Interlude | David Schnaufer | D Major | 1 | 10B | 66 BPM | ||
| Coming Through The Blue | John Astor | D♭ Minor | 4 | 12A | 118 BPM | ||
| Born to Be Wild | Brandon Bart | C Major | 3 | 8B | 127 BPM | ||
| The Is-Ought Controversy | Calum Graham, Don Ross | E Major | 6 | 12B | 121 BPM | ||
| Light Ecru | Michael Brenner | D Major | 1 | 10B | 102 BPM | ||
| Followers of Dulcamara | Franco Morone | D♭ Minor | 2 | 12A | 121 BPM | ||
| Untitled 6 | Greg Larkin | E♭ Minor | 3 | 2A | 155 BPM | ||
| The Double Planet | Michael Hedges | B Minor | 0 | 10A | 151 BPM | ||
| Valbura | Fabio Mazzini | C Major | 2 | 8B | 105 BPM | ||
| Ouray | Andy McKee | D Minor | 8 | 7A | 126 BPM | ||
| Long Road to Memphis | Dan Evans, Stephen Seifert | D Major | 4 | 10B | 113 BPM | ||
| Shadows Between Us | Aureum Classics | C Major | 2 | 8B | 128 BPM | ||
| Neon Heartache | Sense Nox | B Major | 3 | 1B | 101 BPM | ||
| Prairie Prelude | Rich Niebaum | A Major | 1 | 11B | 146 BPM | ||
| Together (We Will) | Headlund | E♭ Minor | 1 | 2A | 181 BPM |