Michel Praetorius, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia's 'Volte' had a release date set for 1995. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Volte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet's "Musiques à danser de la Renaissance francaise" album is number 9 out of 25. On top of that, France appears to be the country where this track was created. In terms of popularity, Volte is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Volte by Michel Praetorius, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 97 BPM | ||
| Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
| Suite in G Major: VII. Rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Schiarazula Marazula | Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass | F Major | 3 | 7B | 125 BPM | ||
| Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
| Suite in G major: Courante | Israel Golani | F♯ Major | 0 | 2B | 133 BPM | ||
| Levita Laurentius | Ivo de Vento, Harmonia Recorder Ensemble | F Major | 0 | 7B | 71 BPM | ||
| Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
| Full fathom five | Robert Johnson, Ruby Hughes, Jonas Nordberg | F Major | 0 | 7B | 87 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Fortuna d’un gran tempo | Josquin des Prez, La Reverdie | E Minor | 0 | 9A | 79 BPM | ||
| Premier livre de danseries: Suite de Bransles de Champaigne | Jean d’Estrées, Into the Winds | C Major | 2 | 8B | 125 BPM | ||
| Ballo anglese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 1 | 8B | 95 BPM | ||
| Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
| Ductia | Anonyme, Musica Antiqua, Christian Mendoze | C Minor | 4 | 5A | 122 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
| Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 88 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| Li noviaus tens | Chastelain de Couci, James Bowman, Early Music Consort Of London, David Munrow | C Major | 1 | 8B | 171 BPM | ||
| Quan vei l'alauzeta... | Bernard de Ventadour, Les musiciens de Provence, Maurice Guis | A Minor | 0 | 8A | 74 BPM | ||
| Terpsichore, Musarum Aoniarum: Passamezze | Pierre Francisque Caroubel, Chelys Consort of Viols, James Akers | B Major | 1 | 1B | 139 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM |