Almir Sater's ' "Mazurca-Choro" was released on its scheduled release date, June 1, 1995. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Mazurca-Choro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Almir Sater's "Instrumental Dois" album is number 4 out of 10. On top of that, Brazil appears to be the country where this track was created. In terms of popularity, Mazurca-Choro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mazurca-Choro by Almir Sater to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coisa Nº 3 | Moacir Santos | C Minor | 3 | 5A | 95 BPM | ||
| Seriema do campo | Renato Andrade | E Major | 6 | 12B | 115 BPM | ||
| La Paloma | Nestor Da Viola | D Major | 5 | 10B | 133 BPM | ||
| Funeral de Billie Holiday | Guinga | F Major | 1 | 7B | 77 BPM | ||
| Doce | Roque Ferreira | D Major | 2 | 10B | 98 BPM | ||
| Razões | Almir Sater, Continental | A Major | 3 | 11B | 92 BPM | ||
| Saudades De Matão | Nestor Da Viola | A♭ Major | 4 | 4B | 148 BPM | ||
| Adagio in G minor | Andrei Krylov | G Minor | 1 | 6A | 77 BPM | ||
| Ponto de tripa | Zé Barbeiro | D♭ Major | 5 | 3B | 100 BPM | ||
| Nanã | Moacir Santos | E♭ Major | 4 | 5B | 97 BPM | ||
| Mês De Maio | Almir Sater | B♭ Major | 4 | 6B | 98 BPM | ||
| Tears in the Heart | SounDSG | A Minor | 7 | 8A | 123 BPM | ||
| Cuíca no Choro | Hércules Gomes | A Major | 6 | 11B | 108 BPM | ||
| Ruinas imaginarias - II. Sombras | Carolina Barenbaum | D Major | 0 | 10B | 173 BPM | ||
| Destinos iguais | Rolando Boldrin, Almir Sater | D Major | 4 | 10B | 155 BPM | ||
| Corrinha | Canhoto da Paraíba | E Major | 4 | 12B | 75 BPM | ||
| Both Sides Now | Tim Sparks | G Major | 1 | 9B | 95 BPM | ||
| Litoral | Cordel | E Minor | 7 | 9A | 100 BPM | ||
| LAS | Leo Nicastri | D Major | 3 | 10B | 138 BPM | ||
| Três Colinas | Iuri Bittar, Paulo Aragão | A Major | 3 | 11B | 93 BPM | ||
| Tema Em Fá (Instrumental) | 14 Bis | F Major | 1 | 7B | 76 BPM | ||
| Pagode Bom De Briga | Almir Sater | D Major | 4 | 10B | 137 BPM | ||
| Intuite (To Munir Bachir) | Pierre Bensusan | E Minor | 1 | 9A | 167 BPM | ||
| Despertando | Nicolás Donnerstag | B Major | 2 | 1B | 143 BPM | ||
| Suite Popular Brasileira, Schottish-Choro | Sergio & Odair Assad | E Major | 3 | 12B | 68 BPM |