小松耕輔, 竹久夢二, 柳兼子, 小林道夫's '母' had a release date set for 1975. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 母's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 現代日本歌曲選集 II, so we believe that "母" is a single. In terms of popularity, 母 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 母 by 小松耕輔, 竹久夢二, 柳兼子, 小林道夫 is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strauss, R: 5 Lieder, Op. 48: I. Freundliche Vision | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D Major | 0 | 10B | 171 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| 5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Victoria de los Ángeles, Rafael Frühbeck de Burgos, Sinfonia Of London | E♭ Major | 0 | 5B | 64 BPM | ||
| L'invitation au voyage | Henri Duparc, Jessye Norman, Dalton Baldwin | B Major | 1 | 1B | 136 BPM | ||
| Giordani : Arietta : "Caro mio ben" | Giuseppe Giordani, Sumi Jo | F Major | 0 | 7B | 68 BPM | ||
| Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | D Major | 0 | 10B | 177 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Patricia Petibon, Karine Deshayes, Orchestre De L'Opéra National De Lyon, Yves Abel | B Major | 1 | 1B | 172 BPM | ||
| Youkali Tango from Marie Galante | Kurt Weill, Teresa Stratas | D Minor | 1 | 7A | 107 BPM | ||
| Die tote Stadt, Act I: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
| Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing | B Major | 1 | 1B | 80 BPM | ||
| Rossini: Armida, Act 3 Scene 10: "Dove son io? … Fuggi" (Armida) | Gioachino Rossini, Joyce DiDonato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Edoardo Muller, Coro dell'Accademia Nazionale Di Santa Cecilia, Lawrence Brownlee, Corrado Amici | G Major | 0 | 9B | 180 BPM | ||
| Gloria, FP 177: V. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
| Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 126 BPM | ||
| Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra Bastille | D♭ Major | 2 | 3B | 80 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| Verdi: Messa da Requiem: VII. Quid sum miser | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | ||
| Delibes: Lakmé, Act 1: "Viens, Mallika" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Orchestre de l'Opéra-Comique | B Major | 1 | 1B | 87 BPM | ||
| Messa da Requiem: Agnus Dei | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | F♯ Major | 0 | 2B | 81 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
| Caro Mio Bene | Tommaso Giordani, Sir Neville Marriner, Academy of St. Martin in the Fields, Michele Esposito | E♭ Major | 0 | 5B | 103 BPM | ||
| Wesendonck Lieder, WWV 91 (Orch. Mottl): I. Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | ||
| Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM |