"Canção de Alcipe" by Clarinetes Ad Libitum had its release date on March 2, 2011. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Canção de Alcipe's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in Contradanza by Clarinetes Ad Libitum. Canção de Alcipe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canção de Alcipe by Clarinetes Ad Libitum is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capriccio No. 5 in La minore, Op. 1 | Gianluca Campi | A Minor | 4 | 8A | 97 BPM | ||
| Cinco tempoush | Trio Loubelya | C Minor | 1 | 5A | 181 BPM | ||
| The Girl from Ipanema | Antônio Carlos Jobim, Ludmila Peterková, Irina Kondratenko | F Major | 1 | 7B | 74 BPM | ||
| Arlecchino Unmasked | Vanessa Lann, Black Pencil | C Major | 1 | 8B | 96 BPM | ||
| Gozar | Naragonia | C Major | 4 | 8B | 89 BPM | ||
| 3.Fantasioso (3 Valses Líricos) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
| Katamiya | Anne-Julie Caron | G Minor | 7 | 6A | 107 BPM | ||
| Von der Eifel an die Mosel | Tovte | D Minor | 3 | 7A | 90 BPM | ||
| Walz for Sonny | Martial Solal, Toots Thielemans | D Minor | 1 | 7A | 78 BPM | ||
| Contradanza | Clarinetes Ad Libitum | C Major | 3 | 8B | 115 BPM | ||
| Blues | Ney Rosauro | A Minor | 1 | 8A | 64 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Between T's | Vincent Peirani, Emile Parisien | G Major | 1 | 9B | 146 BPM | ||
| Noites Cariocas | Clarinetes Ad Libitum | D Major | 5 | 10B | 106 BPM | ||
| Schumannsko | Jean-Louis Matinier, Kevin Seddiki | C Major | 2 | 8B | 107 BPM | ||
| El amor bonito | ANTONELLABEATZ | D♭ Minor | 8 | 12A | 80 BPM | ||
| Suite for Alto Saxophone and Piano, Op. 55: III. Presto | Fazıl Say, Manuel Teles, Alexandra Tchernakova | F♯ Major | 3 | 2B | 152 BPM | ||
| Tiger Rag | Clarinetes Ad Libitum | E♭ Major | 3 | 5B | 122 BPM | ||
| Repente | Quarteto Romançal | D Minor | 4 | 7A | 141 BPM | ||
| Mazurka du dimanche | Trio Loubelya | B♭ Minor | 2 | 3A | 74 BPM | ||
| Origen | Franco Doffo | E♭ Minor | 3 | 2A | 118 BPM | ||
| Ecco la primavera | Michel Bisceglia, Didier François, Markku Ounaskari | D Major | 1 | 10B | 157 BPM | ||
| Los tres golpes (the 3 Blows) | Ignácio Cervantes, Alvaro Cendoya | E Minor | 1 | 9A | 112 BPM | ||
| Lulu typon | Trio Loubelya | C Major | 2 | 8B | 90 BPM | ||
| Per Una Cabeza | Guido Felizzi, Marco Lo Russo | A Minor | 3 | 8A | 75 BPM |