並木路子's '陽気なカナリヤ娘' had a release date set for April 21, 1995. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 陽気なカナリヤ娘's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "SP盤復刻による懐かしのメロディ 並木路子/リンゴの唄". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Japan. In terms of popularity, 陽気なカナリヤ娘 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 陽気なカナリヤ娘 by 並木路子 having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| あなたにあげる | Mineko Nishikawa | C Minor | 4 | 5A | 97 BPM | ||
| 酒は涙か溜息か | Fujiyama Ichiro | D Minor | 3 | 7A | 134 BPM | ||
| Kiri Kiri Mai | 山本リンダ | C Major | 3 | 8B | 135 BPM | ||
| 東京のバスガール | 初代コロムビア・ローズ | E Minor | 2 | 9A | 108 BPM | ||
| 黒田節 | 郷土民謡大社中 | G Major | 2 | 9B | 117 BPM | ||
| いい日 旅立ち | Momoe Yamaguchi | B♭ Minor | 5 | 3A | 102 BPM | ||
| 浪曲子守唄 | 一節太郎 | A Minor | 3 | 8A | 137 BPM | ||
| ほんとにほんとにご苦労さん | ザ・ドリフターズ | B Major | 8 | 1B | 121 BPM | ||
| 命くれない | 瀬川瑛子 | A♭ Minor | 6 | 1A | 137 BPM | ||
| なみだの操 | Tonosama Kings | A Minor | 4 | 8A | 94 BPM | ||
| 冬の駅 | 小柳ルミ子 | D Minor | 5 | 7A | 132 BPM | ||
| 美しい十代 | 三田明 | D♭ Major | 3 | 3B | 173 BPM | ||
| もしも明日が | Warabe | D Minor | 4 | 7A | 121 BPM | ||
| 京都の恋 | Yuko Nagisa | G Minor | 5 | 6A | 146 BPM | ||
| 大勝負 | Kiyoko Suizenji | F Major | 5 | 7B | 138 BPM | ||
| 若い歌声 | Yukio Hashi, Sayuri Yoshinaga | C Minor | 3 | 5A | 113 BPM | ||
| Furare te Yarusa | Naoko Ken | D♭ Minor | 7 | 12A | 124 BPM | ||
| バナナ娘 | 並木路子 | C Minor | 1 | 5A | 136 BPM | ||
| 愛は傷つきやすく | Hide & Rosanna | F♯ Minor | 4 | 11A | 101 BPM | ||
| Reijin no Uta | Noboru Kirishima | G Minor | 4 | 6A | 77 BPM | ||
| ラストダンスは私に | Fubuki Koshiji | A♭ Major | 2 | 4B | 123 BPM | ||
| 東京アンナ | Yoshiko Ootsu | G Minor | 5 | 6A | 86 BPM | ||
| 手のひらの愛(明治チェルシーの唄) | Agnes Chan | G Major | 5 | 9B | 118 BPM | ||
| 愛と死をみつめて | 青山和子 | B Minor | 2 | 10A | 95 BPM | ||
| 女のブルース | Keiko Fuji | B♭ Minor | 2 | 3A | 113 BPM |