"Ungarische Melodie, D. 817" by Franz Schubert, Mathieu Gaudet had its release date on March 27, 2020. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Schubert: The Complete Sonatas and Major Piano Works, Volume 2 - Late Inspirations". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Canada. Based on our statistics, Ungarische Melodie, D. 817's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ungarische Melodie, D. 817 by Franz Schubert, Mathieu Gaudet having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne No. 2a - Version with later authentic variants | Valentina Lisitsa | E♭ Major | 0 | 5B | 67 BPM | ||
| Suite en la: Gavotte et six Doubles | Jean-Philippe Rameau, Natacha Kudritskaya | G Major | 2 | 9B | 197 BPM | ||
| Lieder ohne Worte, Op. 19b: No. 2 in A Minor. Andante espressivo, MWV U 80 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Prélude, fugue & variation, Op. 18: I. Prélude | César Franck, Alice Ader, Ensemble Ader | B♭ Major | 0 | 6B | 168 BPM | ||
| España, Op. 165: II. Tango | Isaac Albéniz, Daniel Barenboim | D Major | 0 | 10B | 66 BPM | ||
| Nina "La folle par amour": Romance (Arr. for Piano by Ignaz Friedman) | Nicolas Dalayrac, Joseph Banowetz | B Minor | 0 | 10A | 107 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| The Dance of Waterweeds | Zuqiang Wu, Mingxin Du, Lang Lang | F♯ Minor | 2 | 11A | 72 BPM | ||
| Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
| Albumblätter, Op. 39: No. 1, Moderato | Hans Sitt, Danae Dörken, Adrien La Marca | C Major | 1 | 8B | 61 BPM | ||
| Danzas Españolas, Op. 37: II. Oriental. Andante | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 62 BPM | ||
| 16 Waltzes, Op. 39: No. 15 in A-Flat Major - Live | Johannes Brahms, Hélène Grimaud | A♭ Major | 0 | 4B | 69 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
| Variation XII Wanderer | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | A Minor | 4 | 8A | 82 BPM | ||
| 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
| 4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 71 BPM | ||
| Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
| Impromptu in A-flat Major, Op. 142, No. 2 (D935); Allegretto | Vladimir Horowitz | A♭ Major | 0 | 4B | 72 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
| Miscellanea, Op. 16: No. 2, Melodie in G-Flat Major | Ignacy Jan Paderewski, Yukio Yokoyama | F♯ Major | 0 | 2B | 90 BPM | ||
| Soirees musicales, Op. 6: II. Notturno | Clara Schumann, Yoshiko Iwai | C Major | 0 | 8B | 66 BPM | ||
| Suite en ré: Les Tendres Plaintes | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
| Má vlast: Vltava (The Moldau). Allegro commodo, non agitato | Bedřich Smetana, Duo Crommelynck | E Minor | 1 | 9A | 110 BPM |