"Halfway Home" by Jason Mraz had its release date on January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jason Mraz's "Jason Mraz Live & Acoustic 2001" album is number 8 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Halfway Home is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Halfway Home by Jason Mraz to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calling Me | Charlie Winston | C Major | 2 | 8B | 81 BPM | ||
| Breaking Hearts | James Vincent McMorrow | F♯ Minor | 5 | 11A | 115 BPM | ||
| Riddle In Londontown | State Radio, Chadwick Stokes | A♭ Minor | 8 | 1A | 175 BPM | ||
| Collide - Acoustic Version | Howie Day | B♭ Major | 3 | 6B | 90 BPM | ||
| I Don't Wanna Love Somebody Else | A Great Big World | B♭ Major | 8 | 6B | 97 BPM | ||
| Slow Motion | David Gray | B Major | 5 | 1B | 116 BPM | ||
| War Is Kind | Jakob Dylan | E Major | 2 | 12B | 125 BPM | ||
| The Girl | City and Colour | A Major | 2 | 11B | 77 BPM | ||
| Everything You're Not Supposed to Be (feat. Damien Rice) | Mélanie Laurent | C Major | 4 | 8B | 150 BPM | ||
| If I Ain’t Got You - James Bay Spotify Session 2015 "Alicia Keys Cover" | James Bay | F Minor | 2 | 4A | 115 BPM | ||
| Sweetness in Starlight | Matt Wertz | D Major | 5 | 10B | 134 BPM | ||
| Keep Falling | Fink | A Major | 2 | 11B | 106 BPM | ||
| This End Of The Telescope | Jakob Dylan | B♭ Major | 3 | 6B | 117 BPM | ||
| Say Something - Live from Spotify NYC | A Great Big World | D Major | 1 | 10B | 70 BPM | ||
| Universe & U - Acoustic Extravaganza Version | KT Tunstall | D Major | 1 | 10B | 123 BPM | ||
| Riptide | Mark Wilkinson | G Major | 2 | 9B | 128 BPM | ||
| Fisher Road To Hollywood | The Avett Brothers | C Major | 1 | 8B | 139 BPM | ||
| Shy That Way | Tristan Prettyman, Jason Mraz | E Minor | 7 | 9A | 117 BPM | ||
| Made Of Glass | KT Tunstall | E Major | 3 | 12B | 84 BPM | ||
| The Beacon | A Fine Frenzy | D Major | 1 | 10B | 108 BPM | ||
| Numbness For Sound | Howie Day | D Major | 4 | 10B | 50 BPM | ||
| The Hill | Markéta Irglová | A♭ Minor | 1 | 1A | 72 BPM | ||
| Southern Nights | Citizen Cope | D Major | 3 | 10B | 159 BPM | ||
| On Love, in Sadness | Jason Mraz | A Major | 8 | 11B | 101 BPM | ||
| This Is The Thing | Fink | G Major | 5 | 9B | 200 BPM |