Mavis Staples's 'Good To Me' had a release date set for January 1, 1969. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mavis Staples's "Mavis Staples" album is number 10 out of 11. Good To Me is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Good To Me by Mavis Staples to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strangers / Lovers | Caitlin Canty | B♭ Major | 1 | 6B | 75 BPM | ||
| You Can't Fail Me Now | Loudon Wainwright III | D Major | 4 | 10B | 119 BPM | ||
| Had to Cry Today | Lilly Winwood | C Major | 7 | 8B | 142 BPM | ||
| Do Right Woman, Do Right Man | Dan Penn | A Major | 2 | 11B | 121 BPM | ||
| Baby, Please Don't Go | Sabine McCalla | G Major | 3 | 9B | 165 BPM | ||
| Love All Night (Work All Day) | Yola | C Major | 7 | 8B | 110 BPM | ||
| World I Never Made | Dr. John | C Major | 2 | 8B | 147 BPM | ||
| For What It's Worth | Susan O'Neill, Valerie June | E Major | 6 | 12B | 89 BPM | ||
| Old Man | Lizz Wright | D Major | 4 | 10B | 150 BPM | ||
| A Feather's Not A Bird | Rosanne Cash | C Minor | 6 | 5A | 110 BPM | ||
| The Push and Pull | Joan Shelley | F♯ Major | 3 | 2B | 126 BPM | ||
| I Drink | Mary Gauthier | C Major | 1 | 8B | 130 BPM | ||
| Feels Like Rain | John Hiatt | G Major | 1 | 9B | 140 BPM | ||
| Praise Him | Robert Finley | F♯ Minor | 9 | 11A | 95 BPM | ||
| My Darling My Dear | Taj Mahal, Keb' Mo' | A Major | 3 | 11B | 85 BPM | ||
| This Is My Country | Don Was, Don Was and the Pan-Detroit Ensemble | B Major | 8 | 1B | 104 BPM | ||
| The Highway Knows | Molly Tuttle | F♯ Major | 6 | 2B | 131 BPM | ||
| Melissa [Feat. Derek Trucks] - Whisper Sessions | Warren Haynes, Derek Trucks | C Major | 1 | 8B | 173 BPM | ||
| You Got Here First | Emma Swift | A♭ Major | 2 | 4B | 68 BPM | ||
| Chalk | Buddy & Julie Miller, Buddy Miller, Julie Miller | F Major | 4 | 7B | 125 BPM | ||
| Sway (feat. Lucinda Williams) | Chrissie Hynde, Lucinda Williams | B Major | 3 | 1B | 94 BPM | ||
| Don’t Stop | Jon Batiste | F♯ Minor | 2 | 11A | 78 BPM | ||
| If We Don't Try | Hayes Carll, Ashley McBryde | E Major | 6 | 12B | 89 BPM | ||
| Last Night I Heard America | Martyn Joseph | E Major | 6 | 12B | 89 BPM | ||
| American Dream | Ondara | D♭ Major | 3 | 3B | 110 BPM |