- BPM
- 128
- Key
- D♭ Minor
- Camelot
- 12A
A Sailor Tune by Herbert Howells, Matthew Schellhorn Song Details
"A Sailor Tune" by Herbert Howells, Matthew Schellhorn had its release date on December 2, 2022. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Herbert Howells, Matthew Schellhorn's "Howells: Piano Music, Vol. 2" album is number 19 out of 29. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, A Sailor Tune's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of A Sailor Tune by Herbert Howells, Matthew Schellhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.93 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 13%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | |
 | Country Pageant: No. 3, There Was a Most Beautiful Lady | Herbert Howells, Richard Uttley | C Major | 2 | 8B | 133 BPM | |
 | All-night Vigil, Op. 44: Blagoslovi, dushe moya, Ghospoda | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | G Major | 1 | 9B | 132 BPM | |
 | Mundy: Vox Patris Caelestis - 9. Te Omnes Caeli | The Tallis Scholars, Peter Phillips | F Minor | 3 | 4A | 64 BPM | |
 | The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | |
 | Lute-Book Lullaby | Alexander L'Estrange, Tenebrae, Nigel Short | D♭ Major | 1 | 3B | 70 BPM | |
 | The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | |
 | Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | |
 | O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | |
 | The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | |
 | In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | |
 | Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | |
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | |
 | To See a World | Sven-David Sandström, Swedish Youth Choir, Erik Westberg | D♭ Minor | 1 | 12A | 139 BPM | |
 | When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM | |
 | Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | |
 | Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | |
 | Goodnight Moon | Eric Whitacre, Adrian Kirtley, 2022 Chamber, Timber Creek HS Chamber | G Major | 1 | 9B | 132 BPM | |
 | Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | |
 | Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | |
 | Te Deum | Herbert Howells, Noel Edison, Paul Halley, Choir of St John's, Elora | F Minor | 1 | 4A | 69 BPM | |
 | Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | |
 | A Hymn to The Virgin | Benjamin Britten, The Sixteen, Harry Christophers | A Minor | 0 | 8A | 82 BPM | |
 | O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | |
 | A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM |
- ISRC
- HKI192201119
- Label
- L-M Records/RCA Records