"Stay Away" by Chris Thile had its release date on January 1, 2006. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chris Thile's "How To Grow A Woman From The Ground" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Stay Away is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Stay Away by Chris Thile to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cassandra's Waltz | Edgar Meyer, Chris Thile | D Major | 0 | 10B | 116 BPM | ||
| Out of the Running | Chatham County Line | G Major | 4 | 9B | 126 BPM | ||
| Speed of the Whippoorwill | Chatham County Line | B Major | 5 | 1B | 95 BPM | ||
| Diamondback | J. Tillman | D Minor | 0 | 7A | 72 BPM | ||
| Finding North | The Civil Wars & T Bone Burnett | F♯ Major | 3 | 2B | 52 BPM | ||
| The Trappings | Stuart Duncan, Edgar Meyer, Chris Thile, Aoife O'Donovan, Yo-Yo Ma | D Major | 3 | 10B | 148 BPM | ||
| Call It What You Will | Joe Pug | E Major | 3 | 12B | 134 BPM | ||
| Broken Telephone | The Be Good Tanyas | C Major | 3 | 8B | 77 BPM | ||
| Friday | Edgar Meyer, Chris Thile | E Minor | 1 | 9A | 114 BPM | ||
| Ambivalence Waltz | Andrew Bird | D Major | 2 | 10B | 86 BPM | ||
| Murder in the City | Brandi Carlile | A♭ Major | 2 | 4B | 123 BPM | ||
| Fisher's Hornpipe | Mike Marshall, Chris Thile | D Major | 5 | 10B | 127 BPM | ||
| Can't Complain | Nickel Creek | D Major | 4 | 10B | 76 BPM | ||
| Say Darlin' Say | Rising Appalachia | D Major | 3 | 10B | 96 BPM | ||
| Adelaide | The Stray Birds | F Major | 3 | 7B | 97 BPM | ||
| Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea | Johann Sebastian Bach, Chris Thile | B Minor | 1 | 10A | 100 BPM | ||
| Thank You, New York (feat. Gaby Moreno) | Chris Thile, Gaby Moreno | F Major | 5 | 7B | 150 BPM | ||
| Swans | I Draw Slow | F♯ Minor | 2 | 11A | 110 BPM | ||
| Church Street Blues | Cahalen Morrison & Eli West | F Major | 4 | 7B | 120 BPM | ||
| Only In The Past | The Be Good Tanyas | C Major | 2 | 8B | 105 BPM | ||
| Are We Really Through (with The Pariah Dogs) | Ray LaMontagne, The Pariah Dogs | B Major | 1 | 1B | 129 BPM | ||
| Songs for Tourists | Courtney Marie Andrews | E Major | 3 | 12B | 125 BPM | ||
| Seeds of the Pine | Martha Scanlan | C Major | 4 | 8B | 118 BPM | ||
| Where I Thought I Met the Angels | The Tallest Man On Earth | D♭ Major | 2 | 3B | 94 BPM | ||
| Hounds | Della Mae | C Major | 6 | 8B | 185 BPM |