Herbert Rehbein, His Orchestra's 'The World We Knew (Over and Over)' had a release date set for November 22, 2013. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The World We Knew (Over and Over)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Soothing The Tiger (Remastered)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. The World We Knew (Over and Over) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The World We Knew (Over and Over) by Herbert Rehbein, His Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| WHISKEY?NO "SAGI" | We Are Jazz | D Major | 3 | 10B | 94 BPM | ||
| Come Sunday (Arr. B. Hallberg) | Arne Domnérus, Gustaf Sjokvist | E Minor | 1 | 9A | 135 BPM | ||
| Bachianas Brasileiras No. 5 | Lalo Schifrin | D Minor | 1 | 7A | 82 BPM | ||
| Gino et Sophie - From Deux hommes dans la ville | Philippe Sarde | E Minor | 2 | 9A | 85 BPM | ||
| The Night Forgives, But Never Forgets | Smoke & Sonata | F Minor | 3 | 4A | 92 BPM | ||
| Feline Silence | Pause maybe? | G Major | 1 | 9B | 180 BPM | ||
| The Swan | Camille Saint-Saëns, Pablo Casals, Charles Albert Baker | B Major | 1 | 1B | 83 BPM | ||
| Lady | Herbert Rehbein, His Orchestra | E♭ Major | 3 | 5B | 129 BPM | ||
| Theme For Two Lovers | Kenny Salmon | F Minor | 4 | 4A | 76 BPM | ||
| GODFATHER, THE - Mazurka | Raine, The City of Prague Philharmonic Orchestra | F Minor | 1 | 4A | 73 BPM | ||
| Yeşilçam IV | Jms Beatz | C Major | 2 | 8B | 170 BPM | ||
| whirlwind | Nasir | A Minor | 2 | 8A | 131 BPM | ||
| Broccati Veneziani | Stelvio Cipriani | D Minor | 3 | 7A | 105 BPM | ||
| Caffee (из кф. «Казино») | State Symphony Orchestra of Cinematography of the USSR, Yuri Nikolaevskiy | D Minor | 4 | 7A | 174 BPM | ||
| L'envol | Vladimir Cosma | F Minor | 7 | 4A | 91 BPM | ||
| Финал - Из х/ф "Свой среди чужих, чужой среди своих" | Eduard Artemyev | F♯ Minor | 3 | 11A | 167 BPM | ||
| Tango jalousie | Jacob Gade, Sakari Oramo, Wiener Philharmoniker | D Major | 1 | 10B | 72 BPM | ||
| The Lady Smiles | Herbert Rehbein, His Orchestra | C Major | 3 | 8B | 71 BPM | ||
| My Fanny Valentine | Orchestra Querencio | G Major | 7 | 9B | 78 BPM | ||
| Almighty God | Arne Domnérus, Gustaf Sjokvist | D Major | 2 | 10B | 140 BPM | ||
| Dancing in Wartime | Miles Laroque | C Minor | 1 | 5A | 108 BPM | ||
| Hopeless Love | Elias Rahbani | B♭ Major | 5 | 6B | 87 BPM | ||
| Our Love | Percy Faith | D Major | 3 | 10B | 75 BPM | ||
| The Godfather: II. The Immigrant (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra | F♯ Minor | 1 | 11A | 87 BPM | ||
| Somebody Loves Me | Benny Carter, His Orchestra | E♭ Major | 3 | 5B | 134 BPM |