Anaïs Mitchell's 'Come September' had a release date set for October 6, 2014. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Come September's duration is considered a little bit shorter than the average duration of a typical track. This song is part of xoa by Anaïs Mitchell. The song's track number on the album is #12 out of 15 tracks. Based on our statistics, Come September's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Come September by Anaïs Mitchell has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Come September being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Long Way | Antje Duvekot | A♭ Major | 3 | 4B | 82 BPM | ||
| Little Lies | I'm With Her | A♭ Major | 3 | 4B | 124 BPM | ||
| Kill My Sorrow | Joy Kills Sorrow | B Major | 4 | 1B | 111 BPM | ||
| Flowers and Blood | Mariee Sioux | B♭ Minor | 3 | 3A | 94 BPM | ||
| Medea | Birdtalker | E Major | 2 | 12B | 73 BPM | ||
| Maggie May | Kaia Kater | C Minor | 3 | 5A | 178 BPM | ||
| Keep Me on Your Mind | Bonny Light Horseman | C Major | 6 | 8B | 146 BPM | ||
| His Kiss the Riot | Anaïs Mitchell | C Major | 3 | 8B | 140 BPM | ||
| Lily Rice | Paris Paloma | B Major | 1 | 1B | 95 BPM | ||
| On Board | Alana Henderson, Joshua Burnside | A Minor | 7 | 8A | 92 BPM | ||
| Fish In The Sea | Charm of Finches | D Minor | 3 | 7A | 110 BPM | ||
| These Flowers | Martha Wainwright | G Major | 4 | 9B | 146 BPM | ||
| Wilder (We're Chained) | Brandi Carlile | E Major | 2 | 12B | 177 BPM | ||
| Song for a Dark Girl | Leyla McCalla | E♭ Minor | 1 | 2A | 120 BPM | ||
| Riddles and Lies | Danny Schmidt | B♭ Major | 1 | 6B | 120 BPM | ||
| Anchors | Kris Gruen, Anaïs Mitchell | D Major | 5 | 10B | 148 BPM | ||
| He Did | Anaïs Mitchell | D Minor | 4 | 7A | 87 BPM | ||
| Dry As Sand | Madison Cunningham | B Minor | 2 | 10A | 121 BPM | ||
| Grey Stone | Emily Portman | B Major | 1 | 1B | 105 BPM | ||
| Slow Talkin' | Haley Heynderickx, Max García Conover | E♭ Major | 4 | 5B | 126 BPM | ||
| Dark Turn of Mind | Gillian Welch | F Major | 1 | 7B | 72 BPM | ||
| Dark Holler | Amythyst Kiah | B Minor | 2 | 10A | 162 BPM | ||
| My Love for You Will Not Fade | Caitlin Canty | F Minor | 2 | 4A | 114 BPM | ||
| This Too Shall Pass | Danny Schmidt | A Major | 3 | 11B | 128 BPM | ||
| Hands on a Grain of Sand | Amelia Curran | D♭ Major | 3 | 3B | 143 BPM |