Rita Reys, Pim Jacobs Trio's ' "You'd Be So Nice To Come Home To" was released on its scheduled release date, January 1, 1965. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. You'd Be So Nice To Come Home To's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Congratulations In Jazz by Rita Reys, Pim Jacobs Trio. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, You'd Be So Nice To Come Home To is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of You'd Be So Nice To Come Home To by Rita Reys, Pim Jacobs Trio is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Afternoon Whimsy | Clover Keys Music | B♭ Major | 2 | 6B | 64 BPM | ||
| Letters for Violet | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| I'd Rather Be Blue | Choll | D♭ Major | 1 | 3B | 114 BPM | ||
| I Might Nap | Mira Rae | C Major | 1 | 8B | 76 BPM | ||
| Observatory Dome | Impression Blue | F Minor | 3 | 4A | 75 BPM | ||
| Sultry Tale | Reckios Land | G Minor | 4 | 6A | 130 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| Amber Waltz | ZChill Jazz | A♭ Major | 1 | 4B | 145 BPM | ||
| Just Another Man | Soesja Citroen | A Minor | 2 | 8A | 93 BPM | ||
| Stardust | Rita Reys, Bengt Hallberg | G Minor | 0 | 6A | 79 BPM | ||
| Do Nothin' Til You Hear From Me | Ann Hampton Callaway | D♭ Major | 2 | 3B | 69 BPM | ||
| Saturday Night is the Loneliest Night | Anne Phillips | B♭ Minor | 2 | 3A | 102 BPM | ||
| It's The Talk Of The Town | Rebecca Kilgore and Dave Frishberg | G Minor | 2 | 6A | 137 BPM | ||
| Cigarettes and Goodbyes | Choll | G Major | 1 | 9B | 97 BPM | ||
| Spring Will Be A Little Late This Year | Pim Jacobs Trio | D♭ Major | 1 | 3B | 103 BPM | ||
| Sultry Serenade | Pim Jacobs Trio | C Major | 2 | 8B | 109 BPM | ||
| Lithograph Refrain | marss ala | G Minor | 3 | 6A | 77 BPM | ||
| Angel Flying Too Close to the Ground | Jami Templeton | G Minor | 2 | 6A | 92 BPM | ||
| ペニーズ・フロム・ヘヴン | ジュラ・デ・パルマ | G Minor | 3 | 6A | 129 BPM | ||
| Barstool Nocturne | Monochrome Silence | C Minor | 2 | 5A | 81 BPM | ||
| Balcony con Ombra | walkin around jazz | C Minor | 1 | 5A | 186 BPM | ||
| Ballroom Floor | Still Geometry Jazz | G Major | 3 | 9B | 77 BPM | ||
| Café Noir | Morning on Canvas | G Minor | 1 | 6A | 73 BPM | ||
| The Summer Knows | Rita Reys | C Minor | 2 | 5A | 87 BPM | ||
| It's All Right With Me | Rita Reys | A♭ Major | 3 | 4B | 87 BPM |