"Liminal Placement" by Cruel Diagonals had its release date on July 13, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Disambiguation by Cruel Diagonals. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Liminal Placement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liminal Placement by Cruel Diagonals is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heavy Is The Sea | Cruel Diagonals | A♭ Major | 4 | 4B | 135 BPM | ||
| Situaciones Parecidas | Mutua Admiración | B♭ Major | 1 | 6B | 90 BPM | ||
| The Opposite Mind and Mutuality | Halgrath | C Major | 4 | 8B | 128 BPM | ||
| Diaries | Martyna Basta | B Major | 1 | 1B | 103 BPM | ||
| Barefoot | Shadow Lines | D♭ Major | 2 | 3B | 184 BPM | ||
| Misty Grove | Metal Scar Radio, Hybrid | C Major | 2 | 8B | 134 BPM | ||
| All These Worlds, Pt. I | Murcof | A♭ Major | 1 | 4B | 94 BPM | ||
| Night | Foehn | C Major | 5 | 8B | 167 BPM | ||
| Trahiti God | Killawaya | G Major | 8 | 9B | 120 BPM | ||
| High End Smalls | Pinkcourtesyphone | F Minor | 3 | 4A | 129 BPM | ||
| Beneath | Hior Chronik, ARTIST, Amber Ortolano | F Major | 1 | 7B | 160 BPM | ||
| Your absence, like rain, opens the light; infinite | Duncan Bellamy, BZDB, MA.MOYO | E♭ Major | 2 | 5B | 128 BPM | ||
| Decoded Human Blueprint | LYFCICL | E Minor | 7 | 9A | 124 BPM | ||
| Bakehouse 30/6 | Third Space, R. Rebeiro | A♭ Major | 2 | 4B | 120 BPM | ||
| The Dökkálfar | Danz CM | C Major | 2 | 8B | 134 BPM | ||
| Tectonics | Cruel Diagonals | E Major | 1 | 12B | 79 BPM | ||
| 432 Hz Meditation for Mental and Physical Restoration | Connectionist | C Major | 2 | 8B | 134 BPM | ||
| Haven't Left Home 4 4 Days | Perila | D Major | 1 | 10B | 74 BPM | ||
| First Thing | HITOSHI TABATAKI | C Minor | 2 | 5A | 84 BPM | ||
| I hear something | Darzack | E♭ Major | 1 | 5B | 70 BPM | ||
| selyem szél | iamyank | D Major | 2 | 10B | 106 BPM | ||
| Repeated Wrong Path | Lavinia Concia | D♭ Major | 1 | 3B | 100 BPM | ||
| Lament | Cruel Diagonals | C Major | 3 | 8B | 113 BPM | ||
| Seca | Lucrecia Dalt | F♯ Major | 1 | 2B | 125 BPM | ||
| fountainhead | Courtney Swain | A Minor | 8 | 8A | 142 BPM |