"この道" by 藤原義江 had its release date on March 20, 1996. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 山田耕筰の遺産(2)歌曲編II, so we believe that "この道" is a single. In terms of popularity, この道 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of この道 by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chorus of the Hebrew Slaves (from Nabucco, Act III) (1842) | Giuseppe Verdi, Chorus of the Sofia National Opera, Sofia Philharmonic Orchestra, Rouslan Raychev | B Major | 1 | 1B | 84 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| Triumphmarsch der Nsdap | RMK Records | F♯ Major | 4 | 2B | 129 BPM | ||
| La Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | F Major | 2 | 7B | 102 BPM | ||
| 信田の薮 | 藤原義江 | A Minor | 0 | 8A | 78 BPM | ||
| Rigoletto, Act I: Ah, veglia, o donna, questo fiore | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Eglė Šidlauskaitė, Francesco Demuro, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| Thine Alone | Kathryn Grayson, Mario Lanza | G Major | 3 | 9B | 80 BPM | ||
| Dónde Están los Carboneros - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D Major | 4 | 10B | 72 BPM | ||
| Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | N/A | N/A | N/A | 0 BPM | ||
| Gunkoku-Komoriuta (軍国子守唄) | Koichi Sugii | C Minor | 3 | 5A | 107 BPM | ||
| 1. Tripping hither, tripping thither | Arthur Sullivan, Jennifer Toye, Pauline Wales, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 113 BPM | ||
| Ultime foglie | Gianni Di Palma | F♯ Major | 2 | 2B | 140 BPM | ||
| Reginella Campagnola | Aldo Masseglia | D Major | 2 | 10B | 125 BPM | ||
| 鉾をおさめて | 藤原義江, ヴィンセント・ロペツ・アンド・ヒズ・シンフォニック・ジャズ・オーケストラ | A Minor | 6 | 8A | 137 BPM | ||
| 心のバンドネオン | 藤原義江 | E Minor | 1 | 9A | 115 BPM | ||
| Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM | ||
| 一週間 | ボニージャックス | F Minor | 5 | 4A | 133 BPM | ||
| El chocolate | María Conesa | F♯ Major | 1 | 2B | 68 BPM | ||
| 恋心 | 岸洋子 | C Major | 3 | 8B | 88 BPM | ||
| La sedia a dondolo | Dea Garbaccio | B♭ Major | 4 | 6B | 135 BPM | ||
| Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 76 BPM | ||
| 海ゆかば | 旧海軍々楽隊有志 | B♭ Major | 2 | 6B | 94 BPM | ||
| Dóminus pascit me (salmo 22) | Orfeón de Miravalles | D Minor | 1 | 7A | 138 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| На сопках Маньчжурии ΙΙ | Ivan Kozlovsky | D♭ Minor | 1 | 12A | 87 BPM |