- BPM
- 174
- Key
- E Minor
- Camelot
- 9A
Tubular Bells, Pt. 2 by Mark Neumann Song Details
Mark Neumann's 'Tubular Bells, Pt. 2' had a release date set for January 1, 1996. This song appears to be safe for all ages as it is not explicit. There are a total of 2 in the song's album "Tubular Bells". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. The popularity of Tubular Bells, Pt. 2 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Tubular Bells, Pt. 2 by Mark Neumann having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.793 dB
- Acousticness
- 87%
- Danceability
- 28%
- Energy
- 18%
- Instrumentalness
- 95%
- Liveness
- 11%
- Loudness
- 70%
- Speechiness
- 3%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Emily — No Prisoner Be: No. 8, A Bee I personally knew (Scherzo No. 1) | Kevin Puts, Time For Three | C Major | 5 | 8B | 121 BPM | |
 | Havanaise, Op. 83: III. Allegro ma non troppo - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | |
 | 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | |
 | Violin Sonata No. 2 in G Major, Op. 13: II. Allegretto tranquillo | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | |
 | Tre giorni son che Nina (Arr. for Cello & Piano) | Giovanni Battista Pergolesi, Christine Walevska, Akimi Fukuhara | G Minor | 1 | 6A | 76 BPM | |
 | Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F♯ Major | 1 | 2B | 71 BPM | |
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: IV. Les furies | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | |
 | Cephale et Procris, ou L'amour conjugal: Tambourin (Arr. For violin and piano) | André-Ernest-Modeste Grétry, Takako Nishizaki, Terence Dennis | A Minor | 2 | 8A | 93 BPM | |
 | Sonata for Solo Violin in D Major, Op. 115: II. Theme & Variations | Sergei Prokofiev, Tianwa Yang | B♭ Major | 0 | 6B | 92 BPM | |
 | Violin Partita No. 2 in D Minor, BWV 1004: II. Courante | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 119 BPM | |
 | Marchenbilder, Op. 113 (No. 3 Rasch) | En-Chi Anna Ho, Mark Neumann | G Minor | 0 | 6A | 102 BPM | |
 | Five Pieces For Two Violins and Piano: V. Polka | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D Major | 1 | 10B | 167 BPM | |
 | Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | G Minor | 3 | 6A | 139 BPM | |
 | 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | |
 | 2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 133 BPM | |
 | Elegy No. 2, "Romanza Drammatica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 127 BPM | |
 | Spanish Dances, Op. 21: Danza española No. 1: Malagueña, Op. 21, No. 1 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | |
 | Moonshine | Mark Neumann | C Major | 5 | 8B | 121 BPM | |
 | Sonata For Solo Violin, Op. 115: 1. Moderato | Sergei Prokofiev, Gil Shaham | G Major | 1 | 9B | 64 BPM | |
| Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | |
 | Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | |
 | An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | |
 | 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Violin & Orchestra by Alex Fortes): No. 1, Allegro moderato | Antonín Dvořák, Grace Park, PKF - Prague Philharmonia, Emmanuel Villaume | B♭ Major | 1 | 6B | 94 BPM | |
 | 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | |
| Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai | Johann Sebastian Bach, Hilary Hahn | C Major | 2 | 8B | 139 BPM |
- ISRC
- AUXN22525065
- Label
- L-M Records/RCA Records