Ben Reel's 'Broken' had a release date set for March 27, 2020. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Nashville Calling". In this album, this song's track order is #10. Broken is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Broken by Ben Reel having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ramblin' Man | Tommy Talton | E Major | 5 | 12B | 84 BPM | ||
| The Glass Moon | Jon Allen | D Major | 5 | 10B | 79 BPM | ||
| Have We Had Enough | Clay Connor | A Major | 8 | 11B | 160 BPM | ||
| No Time to Cry | James Maddock | D Major | 7 | 10B | 111 BPM | ||
| Broken Man | Sean Webster Band | E♭ Minor | 4 | 2A | 76 BPM | ||
| If You Want to Play with My Heart | Ben Poole | B Major | 7 | 1B | 146 BPM | ||
| North of Nowhere | Jesse Ray Smith | G Major | 6 | 9B | 144 BPM | ||
| Photographs | 100 Dollar Stereo | A Major | 7 | 11B | 160 BPM | ||
| Lucky Streak - locked in & live | Ben Reel | D♭ Major | 6 | 3B | 163 BPM | ||
| Watch the Sun Go Down | Luke Morley | G Major | 7 | 9B | 114 BPM | ||
| A Different Kind | Social Gravy | B Major | 4 | 1B | 82 BPM | ||
| Ramblin | Marty Shirley | D Major | 7 | 10B | 123 BPM | ||
| 3 Minutes After Midnight | Johnny & The G-Men | A Major | 7 | 11B | 160 BPM | ||
| RECEIVE | CALEB DAWSON | A Major | 7 | 11B | 160 BPM | ||
| ASK AND RECEIVE | CALEB DAWSON | A Major | 7 | 11B | 160 BPM | ||
| California Ghosts | The Sons Of Guns | E Major | 7 | 12B | 106 BPM | ||
| Collide | Nashville Exile | A Major | 7 | 11B | 160 BPM | ||
| Black Dog | Jim Keller | B♭ Major | 5 | 6B | 78 BPM | ||
| Western Roads | Seán Feeny | A Major | 7 | 11B | 160 BPM | ||
| When You're Being Lied To | Jude Cole | C Major | 5 | 8B | 138 BPM | ||
| You’re Here to Stay | Matt Andersen | C Major | 6 | 8B | 99 BPM | ||
| Odds & Ends | VENICE | F♯ Major | 6 | 2B | 113 BPM | ||
| Hit and Run | Danger Line | E Major | 9 | 12B | 130 BPM | ||
| His Heart Was a Contraption | Spacetime Satellites | A Major | 7 | 11B | 160 BPM | ||
| Circles | Hunter Spring | A Major | 7 | 11B | 160 BPM |