"None Left" by David Celeste had its release date on March 6, 2015. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. None Left's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Celeste's "Meniscus" album is number 2 out of 9. On top of that, Sweden appears to be the country where this track was created. The popularity of None Left is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of None Left by David Celeste to be Presto (very, very fast) because the track has a tempo of 190 BPM, a half-time of 95BPM, and a double-time of 380 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Like a Machine | Steven Gutheinz | F Major | 2 | 7B | 75 BPM | ||
| Regeneration | Max LL | C Major | 2 | 8B | 69 BPM | ||
| Dreaming of Mud & Sand | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | G Major | 3 | 9B | 74 BPM | ||
| Beyond the Shores | inola | E Major | 1 | 12B | 78 BPM | ||
| The Condor's Flight | Philip Ayers | E Minor | 3 | 9A | 80 BPM | ||
| A Contrite Spirit | Brock Hewitt: Stories in Sound, The David Roy Collective | G Minor | 4 | 6A | 140 BPM | ||
| Closer | Omar Raafat | C Minor | 5 | 5A | 100 BPM | ||
| After | Steven Gutheinz | F Minor | 2 | 4A | 86 BPM | ||
| The Big Relief | Kevin Smuts | A Minor | 1 | 8A | 97 BPM | ||
| All Beginnings Are Hard | Zach Sprowls | C Minor | 3 | 5A | 128 BPM | ||
| Broken | Michael Vignola | A Minor | 1 | 8A | 67 BPM | ||
| Immersed | Christopher Galovan | D Major | 2 | 10B | 130 BPM | ||
| Material Design | David Celeste | A Minor | 3 | 8A | 87 BPM | ||
| Gone with | Veaceslav Draganov | G Minor | 3 | 6A | 110 BPM | ||
| Soaring Heights | Francis Wells | E Major | 1 | 12B | 62 BPM | ||
| Samudra | Bonnie Grace | F♯ Major | 5 | 2B | 85 BPM | ||
| Escaping Forever | Michael Vignola | C Minor | 1 | 5A | 122 BPM | ||
| Life on the Shore | David Celeste | A Minor | 1 | 8A | 184 BPM | ||
| A Compulsion | Thomas Farnon | F Major | 2 | 7B | 115 BPM | ||
| Moments Wash Ashore | Kyon Grey | D♭ Minor | 2 | 12A | 180 BPM | ||
| In a Dream | Omar Raafat | E♭ Major | 2 | 5B | 180 BPM | ||
| The Fallout | Hannah Parrott | G Major | 1 | 9B | 100 BPM | ||
| The Pier | Rhian Sheehan | B♭ Minor | 2 | 3A | 108 BPM | ||
| Wind | Nick Box | E Major | 2 | 12B | 130 BPM | ||
| First Contact | Kevin Smuts | A Minor | 1 | 8A | 91 BPM |