Ayaka Hirahara's 'ソメイヨシノ' had a release date set for May 13, 2015. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Prayer". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. ソメイヨシノ is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With ソメイヨシノ by Ayaka Hirahara having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| この闇を照らす光のむこうに -anly only version- | Anly | D Major | 5 | 10B | 130 BPM | ||
| 地平線の向こう側へ | MISIA | E Major | 7 | 12B | 154 BPM | ||
| 微熱 | Leo Ieiri | G Major | 5 | 9B | 90 BPM | ||
| 愛する人よ | Toshinori Yonekura | G Major | 2 | 9B | 136 BPM | ||
| 翳りゆく部屋 | NOKKO, フィリップ・セス・トリオ | C Major | 3 | 8B | 144 BPM | ||
| はじめまして | Ayaka Hirahara | B Major | 5 | 1B | 90 BPM | ||
| プラタナスの幻想 | 篠原紗英 | F♯ Minor | 1 | 11A | 51 BPM | ||
| ENDLESS STORY | REIRA starring Yuna Ito | A Major | 5 | 11B | 120 BPM | ||
| かたち | MILLEA | D Major | 2 | 10B | 80 BPM | ||
| まぶしい人 (セルフカバーバージョン) | Keiko Utoku | E♭ Major | 2 | 5B | 154 BPM | ||
| 朝のトースト | RinRin | D Minor | 5 | 7A | 145 BPM | ||
| Flower | I WiSH | F♯ Major | 6 | 2B | 85 BPM | ||
| 夜空ノムコウ (Live Version) | Yuka Kawamura | G Major | 3 | 9B | 93 BPM | ||
| 今も | DREAMS COME TRUE | B♭ Major | 2 | 6B | 85 BPM | ||
| 夕映え | Le Couple | G Major | 2 | 9B | 87 BPM | ||
| 八月の夢 | Fukumimi | G Major | 6 | 9B | 132 BPM | ||
| ラヴ・ラプソディー | Ayaka Hirahara | C Major | 4 | 8B | 127 BPM | ||
| おばあちゃんの歌 | 堀 優衣 | C Major | 3 | 8B | 91 BPM | ||
| everywhere | Maaya Sakamoto | D♭ Major | 4 | 3B | 89 BPM | ||
| とわのまほろば | 杉本ラララ | F♯ Major | 3 | 2B | 132 BPM | ||
| 今日になるから | Anri Kumaki | B♭ Major | 4 | 6B | 142 BPM | ||
| I believe | Yusaku Kiyama | G Major | 7 | 9B | 146 BPM | ||
| Daisy | MISIA | E Major | 3 | 12B | 100 BPM | ||
| あの日の私に | KOKIA | A Major | 2 | 11B | 91 BPM | ||
| 鮮やかな前途 | Yoshiko Hanzaki | C Major | 6 | 8B | 145 BPM |