"Suite - From The Seven Percent Solution" by John Addison had its release date on January 1, 1996. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Sherlock Holmes (Classic Themes From 221B Baker Street)". In this album, this song's track order is #2. Suite - From The Seven Percent Solution is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite - From The Seven Percent Solution by John Addison having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Captain Coram's Kids: Eight were Duchesses | Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp | G Major | 0 | 9B | 110 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Finale (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 79 BPM | ||
| Conversation Piece: Allegro | John Addison, Simon Callaghan, BBC National Orchestra Of Wales, William Boughton | B♭ Major | 1 | 6B | 98 BPM | ||
| Quel Motivetto che mi piace tanto / Stormy Weather / La Cucaracha | Nino Rota, Carlo Savina | C Major | 3 | 8B | 152 BPM | ||
| The Maggie: Song of the Maggie | John Addison, Rumon Gamba, BBC Concert Orchestra | E♭ Major | 2 | 5B | 63 BPM | ||
| Thunderbird 4 | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| John Clare's Journey: XXVII. He Doesn't Know Me (Patty, Clare) | Terence Deadman, Phillip Bell, John Addison, Sharon Eckman, Lawrence Wallington, Simon Preece, Martin Nelson, Maida Vale Singers, Ieuan Jones, Glen Capra, Christopher Dee | A♭ Major | 0 | 4B | 128 BPM | ||
| Galloping Home - Original Theme From "Black Beauty" | Denis King, The South Bank Orchestra | D♭ Major | 3 | 3B | 127 BPM | ||
| Dance Of The Comedians from "The Bartered Bride" | George Daugherty, Sydney Symphony Orchestra | C Major | 3 | 8B | 149 BPM | ||
| Main Theme from "The Saint" | Edwin Astley & His Orchestra | A♭ Major | 5 | 4B | 175 BPM | ||
| Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 69 BPM | ||
| The Dance Sequence | Original Soundtrack | C Major | 3 | 8B | 117 BPM | ||
| Police Academy March | Robert Elms Folk, THE STAFF BAND OF THE NORWEGIAN ARMED FORCES | E♭ Major | 6 | 5B | 119 BPM | ||
| Homeward Bound | Jack Trombey | F Major | 7 | 7B | 111 BPM | ||
| Overture | Alex North | A Major | 3 | 11B | 100 BPM | ||
| Ritmos Crecientes | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| Kehaar's Theme | Angela Morley | A♭ Major | 3 | 4B | 117 BPM | ||
| Wes Anderson’s Suite: The Grand Budapest Hotel | Alexandre Desplat, Orchestre de Paris, Florentino Calvo, Giani Caserotto, Iurie Morar | G Major | 2 | 9B | 93 BPM | ||
| Medley: Main Title / Prologue | The Warner Bros. Studio Orchestra | F Major | 4 | 7B | 76 BPM | ||
| The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | B♭ Major | 2 | 6B | 138 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| Murder| She Wrote (From "Murder| She Wrote") | Daniel Caine Orchestra | C Major | 3 | 8B | 113 BPM | ||
| The Murder Of Gromek | John Addison | A Major | 2 | 11B | 123 BPM | ||
| Il Bidone | Nino Rota | E♭ Major | 4 | 5B | 118 BPM | ||
| The O'Hara Family | Max Steiner | F Major | 2 | 7B | 102 BPM |