Jonathan Cain's 'Into The Intimacy' had a release date set for January 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Piano With A View". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Into The Intimacy is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Into The Intimacy by Jonathan Cain having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Regarding You | Tom Grant | E♭ Major | 5 | 5B | 140 BPM | ||
| Take Five | Dancing Fantasy | G Major | 6 | 9B | 170 BPM | ||
| Grass Roots | Joyce Cooling | D Major | 5 | 10B | 115 BPM | ||
| Arancio Bossa | Andrea Razzauti | E Minor | 5 | 9A | 121 BPM | ||
| Cookie Strut | Four80East | F Minor | 7 | 4A | 98 BPM | ||
| I'll Be Around | Russ Freeman & The Rippingtons, Lynne Fiddmont, Bridgette Bryant, Kirk Whalum, James Gilstrap, Art Wood, Jeffrey Osborne, Phil Perry | G Minor | 7 | 6A | 110 BPM | ||
| Blue Azure | Shakatak | G Major | 6 | 9B | 114 BPM | ||
| I Believe In You | 3rd Force | A Minor | 7 | 8A | 176 BPM | ||
| Keepin' It Real | Joe McBride | G Major | 8 | 9B | 102 BPM | ||
| Crazy With The Heat | Jonathan Cain | E Minor | 6 | 9A | 88 BPM | ||
| Callie | Joyce Cooling | C Major | 8 | 8B | 116 BPM | ||
| Smooth Operator | Greg Adams | F Minor | 5 | 4A | 111 BPM | ||
| Fun in the Sun | Steve Oliver | A♭ Major | 8 | 4B | 116 BPM | ||
| Separate Ways (Worlds Apart) [Arr. for String Quartet] | Jonathan Cain, Steve Perry, Lumiere String Quartet | E Minor | 4 | 9A | 132 BPM | ||
| On The Beach | Jeff Golub | F Minor | 6 | 4A | 122 BPM | ||
| Nightlife (feat. Jeff Golub) | Avenue Blue (Featuring Jeff Golub) | C Minor | 6 | 5A | 94 BPM | ||
| Katchina | Brian Tarquin | F Minor | 7 | 4A | 80 BPM | ||
| Coming Home | Amedeo | B♭ Minor | 6 | 3A | 144 BPM | ||
| When Love Comes Around | Braxton Brothers | F Minor | 3 | 4A | 114 BPM | ||
| Midnight Train | Bona Fide | G Major | 6 | 9B | 120 BPM | ||
| The Funky Joint | Paul Brown | A Major | 6 | 11B | 104 BPM | ||
| Going West | Roberto Vazquez | G Major | 5 | 9B | 104 BPM | ||
| For You | Brian Hughes | E Minor | 8 | 9A | 102 BPM | ||
| Zephyr | Kayla Waters | D♭ Minor | 8 | 12A | 100 BPM | ||
| Never Enough | Lisa Addeo | C Minor | 5 | 5A | 94 BPM |