"Me! Come! My Dazzled Face! (Live)" by Andrew Rindfleisch, Texas All-State Women's Choir, Tracy Carroll, Kathleen Rodde had its release date on August 14, 2015. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 2015 Texas Music Educators Association (TMEA): All-State Women's Choir & All-State Men's Choir [Live], so we believe that "Me! Come! My Dazzled Face! (Live)" is a single. In terms of popularity, Me! Come! My Dazzled Face! (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Me! Come! My Dazzled Face! (Live) by Andrew Rindfleisch, Texas All-State Women's Choir, Tracy Carroll, Kathleen Rodde is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Light Fantastic: II. Sarabanding | Andrew Rindfleisch, Columbus State University Wind Ensemble, Robert W. Rumbelow | G Major | 0 | 9B | 81 BPM | ||
| 9 Little Improvisations: No. 8, Evening Prayer | Patrick O'Keefe, Andrew Rindfleisch | D Minor | 0 | 7A | 70 BPM | ||
| Black Angels, Thirteen Images from the Dark Land, Departure: I. Threnody I "Night of the Electric Insects" | George Crumb, Quatuor Hanson | F Minor | 1 | 4A | 113 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| And One Of The Pharisees | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | E Minor | 0 | 9A | 127 BPM | ||
| Monsoon | Thrya | E Major | 1 | 12B | 77 BPM | ||
| Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM | ||
| Stoned | The Chitinous Ensemble | G Major | 5 | 9B | 104 BPM | ||
| Donnacha Dennehy: Land of Winter: VII. June | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Sei gelobt, du Baum! | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve, Mari Poll, Robert Staak, Taavo Remmel | D Minor | 0 | 7A | 170 BPM | ||
| Me! Come! My Dazzled Face! | Andrew Rindfleisch, Isthmus Vocal Ensemble, Scott MacPherson | B♭ Minor | 0 | 3A | 127 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| Inflection Point | Echo Collective, Neil Leiter, Gary De Cart, Margaret Hermant, Charlotte Danhier | C Major | 0 | 8B | 60 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | A Major | 2 | 11B | 107 BPM | ||
| Attention Span Take 3 | R.Kuhn | C Major | 1 | 8B | 61 BPM | ||
| Advertisement | Henry Cowell | G Major | 5 | 9B | 113 BPM | ||
| Göreme: III. The Mirror - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | A♭ Major | 2 | 4B | 105 BPM | ||
| Aurora Flame | Nuit | F♯ Minor | 8 | 11A | 129 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| A Trace of Salt | Emilie Levienaise-Farrouch | D♭ Minor | 1 | 12A | 85 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Akhnaten, Act III Scene 1: The Family | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Anthony Roth Costanzo, J'nai Bridges, Lindsay Ohse, Karen Chia-Ling Ho, Chrystal E. Williams, Annie Rosen, Olivia Vote, Suzanne Hendrix, Metropolitan Opera Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A Major | 2 | 11B | 107 BPM | ||
| String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | ||
| Our Father | Julius Eastman, Christopher Rountree, DAVÓNE TINES, Wild Up | G Major | 2 | 9B | 138 BPM |