"A Hundred Years from Today" by Doc Cheatham, Sammy Price had its release date on June 5, 1995. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 32 in Duets & Solos by Doc Cheatham, Sammy Price. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, A Hundred Years from Today's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A Hundred Years from Today by Doc Cheatham, Sammy Price is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Be or Not to Be Flat | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Why Mock Me | Noah Peterson | A Minor | 2 | 8A | 134 BPM | ||
| Caterpillar Creep - Sextet, Alternate, 1942 | Raymond Scott & His Orchestra | G Minor | 4 | 6A | 109 BPM | ||
| Baker's Dozen | Shorty Baker, Doc Cheatham | F♯ Major | 4 | 2B | 100 BPM | ||
| I Can't Give You Anything But Love - Instrumental | Sammy Price, Doc Cheatham | A♭ Major | 2 | 4B | 90 BPM | ||
| Savoy Blues | Kid Ory's Creole Jazz Band | G Minor | 4 | 6A | 126 BPM | ||
| Cynthia’s In Love | Guy Lafitte | E Minor | 1 | 9A | 110 BPM | ||
| Labyrinth | Elian Tumbao | C Minor | 3 | 5A | 134 BPM | ||
| Zuzu Blues | THE SCHWINGS BAND | A♭ Major | 4 | 4B | 152 BPM | ||
| Really the Blues | Tommy Ladnier And His Orchestra | B♭ Major | 2 | 6B | 70 BPM | ||
| Up In The Blues | Freddie Green | C Major | 4 | 8B | 197 BPM | ||
| Lady Be Good - Instrumental | Sammy Price, Doc Cheatham | A♭ Major | 2 | 4B | 90 BPM | ||
| Wolverine Blues | Wilbur De Paris, Sidney De Paris, Doc Cheatham, Garvin Bushell, Sonny White, John Smith, Hayes Alvis, Wilbert Kirk | B♭ Major | 5 | 6B | 142 BPM | ||
| Whispers in Blue | EugDJ | G Major | 5 | 9B | 106 BPM | ||
| Cerulean Salon | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| This Is Moment | Austyn Ziemann | E Minor | 2 | 9A | 123 BPM | ||
| Blues Downstairs | Woody Herman & His Orchestra | F Major | 4 | 7B | 112 BPM | ||
| Don't Be Flat | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| Tin Roof Blues | New Orleans Rhythm Kings | A Minor | 4 | 8A | 106 BPM | ||
| On the Street | Peter Platts Jazz mbH, Thomas Gansch | A Minor | 6 | 8A | 100 BPM | ||
| My Gal Sal | Antti Sarpila, Chris Hopkins, Eddie Erickson, Ingmar Heller, Jake Hanna | C Minor | 5 | 5A | 113 BPM | ||
| Basin Street Blues | Evan Christopher | E♭ Major | 4 | 5B | 99 BPM | ||
| The Language of the Glance | NYC Jazz Quartett, JuJu Song, The Limp Twins | F♯ Minor | 4 | 11A | 97 BPM | ||
| Good Vibes | Peter Platts Jazz mbH, Thomas Gansch | C Major | 2 | 8B | 126 BPM | ||
| Just for You | Jay McShann | F Major | 1 | 7B | 114 BPM |