Bernardo Pasquini, Anita Giovanna Rosati, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi's ' "Tenetelo, legatelo (Live)" was released on its scheduled release date, October 28, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 46 in the song's album "Pasquini: L'Idalma, ovvero chi la dura la vince (Live)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Tenetelo, legatelo (Live) is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Tenetelo, legatelo (Live) by Bernardo Pasquini, Anita Giovanna Rosati, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Servo, signor Lindoro (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Sonata a 8 viole con una tromba in D Major: II. Aria | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 90 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | A♭ Major | 2 | 4B | 104 BPM | ||
| Caino e Abel: Pt. I: Pur ch'Abel viva innocente (Abel, Cain) | Bernardo Pasquini, Gian Paolo Fagotto, Nadia Ragni, Claudio Cavina, Andreana Galante, Furio Zanasi, Teatro Armonico, Il, Alessandro De Marchi | G Major | 1 | 9B | 112 BPM | ||
| Les Génies ou les Caractères de l'Amour: Rondeau | Mademoiselle Duval, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | ||
| Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
| String Sonata à 5 in G Minor, Op. 2 No. 11: IV. Allegro | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Rameau : La Guirlande : "La flûte est des soupirs le plus tendre interprète" [Myrtil, Chorus] | Jean-Philippe Rameau, William Christie, Cappella Coloniensis des WDR, Frauke Lukas | E♭ Major | 4 | 5B | 65 BPM | ||
| Ehi, ehi della torre (Live) | Bernardo Pasquini, Arianna Vendittelli, Anita Giovanna Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Morgan Pearse, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Phoebus, God Beloved by Men | Samuel Pepys, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Salve Regina, RV 616: O clemens | Antonio Vivaldi, James Bowman | F Major | 0 | 7B | 87 BPM | ||
| Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Alcyone: Chaconne | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 125 BPM | ||
| I fatti di Mosè nel deserto: D'una fede al vivo zelo | Bernardo Pasquini, Filippo Mineccia, Nereydas, Javier Ulises Illán | F Major | 1 | 7B | 133 BPM | ||
| Toccata del secondo tono | Bernardo Pasquini, Augusto Belau | F Minor | 4 | 4A | 131 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM |