"Magnificent Samurai (From The Seven Samurai)" by Fumio Hayasaka had its release date on December 1, 2019. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Magnificent Samurai (From The Seven Samurai)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Seven Samurai (Original Film Soundtrack)". In this album, this song's track order is #25. In terms of popularity, Magnificent Samurai (From The Seven Samurai) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificent Samurai (From The Seven Samurai) by Fumio Hayasaka having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Pall-Bearers | Christopher Willis | A Minor | 1 | 8A | 136 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| PART III ESCAPING THE ULTIMATE SOLUTION | Zbigniew Preisner | E Minor | 2 | 9A | 147 BPM | ||
| Miller's Crossing End Credits | Brussells Philharmonic, Dirk Brossé | G Major | 2 | 9B | 113 BPM | ||
| Sunset | Magnet | A♭ Major | 0 | 4B | 69 BPM | ||
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| GOA IV | R.Kuhn, Rüdiger Edgar Kuhn | E Major | 2 | 12B | 88 BPM | ||
| Dai-Bosatsu | Watazumido-Shuso | A♭ Major | 0 | 4B | 83 BPM | ||
| Carlito's Way | Patrick Doyle | G Major | 1 | 9B | 68 BPM | ||
| 地久 破 | 伶楽舎 | B Minor | 1 | 10A | 72 BPM | ||
| Morning Departure | Fumio Hayasaka | A♭ Minor | 0 | 1A | 50 BPM | ||
| Murder Of Don Fanucci | Marcia Religioso, Festa March | C Minor | 5 | 5A | 120 BPM | ||
| Chase and Mansion / An Aging Actress | Franz Waxman | E♭ Minor | 2 | 2A | 81 BPM | ||
| Beria's Plan | Christopher Willis | F♯ Major | 1 | 2B | 100 BPM | ||
| La Mort | Philippe Sarde | A Minor | 4 | 8A | 123 BPM | ||
| Tsurumaru's Flute / Azusa Castle in Ruins | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Sueno | Warphus | F♯ Minor | 5 | 11A | 132 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| Alethia | Jonny Greenwood | E♭ Minor | 1 | 2A | 140 BPM | ||
| The Omega Man | Ron Grainer | D Minor | 2 | 7A | 67 BPM | ||
| The Future Is Mine | Laz Ukpo | E♭ Minor | 1 | 2A | 90 BPM | ||
| Prelude - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | A♭ Major | 4 | 4B | 80 BPM |