Lurlean Hunter's 'Fool That I Am' had a release date set for 1960. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 11 in Blue & Sentimental by Lurlean Hunter. Fool That I Am is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fool That I Am by Lurlean Hunter is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy He Calls Me | Lurlean Hunter | B♭ Major | 1 | 6B | 81 BPM | ||
| You Don't Know What Love Is - from "Lonesome Gal" | Lurlean Hunter, Al Nevins and His Orchestra | B♭ Minor | 2 | 3A | 127 BPM | ||
| Good Morning Good Day | Timeless Tone | G Minor | 2 | 6A | 116 BPM | ||
| The Second Time Around | Shirley Horn | F♯ Major | 1 | 2B | 84 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Soft Lights and Sweet Music | Dick Haymes | C Minor | 3 | 5A | 83 BPM | ||
| Falling In Love With Love | Helen Merrill | D Minor | 2 | 7A | 144 BPM | ||
| Do Nothin' Till You Hear From Me - 1956 Version | Billie Holiday | C Minor | 2 | 5A | 135 BPM | ||
| Night Life | Lurlean Hunter, Manny Albam & His Orchestra | F♯ Major | 1 | 2B | 66 BPM | ||
| Can't get enough - Demo mix | Burling Street Jazz and Swing, Mark Kubicki, Ed Peffer Saxophone | B♭ Major | 2 | 6B | 128 BPM | ||
| Blue Turning Grey over You | Lurlean Hunter | E♭ Major | 3 | 5B | 97 BPM | ||
| A Woman Alone With The Blues | Peggy Lee | F Major | 1 | 7B | 104 BPM | ||
| Dreamsville | Janet Seidel | G Minor | 2 | 6A | 103 BPM | ||
| Love Dance | Sarah Vaughan | C Major | 0 | 8B | 111 BPM | ||
| A Hundred Years from Now | John Pizzarelli, John Pizzarelli Trio | B♭ Major | 3 | 6B | 118 BPM | ||
| I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | ||
| Red Top | King Pleasure | A♭ Major | 2 | 4B | 116 BPM | ||
| Harlem Stroll | Eclipse Sinfónico | F Minor | 2 | 4A | 124 BPM | ||
| Muddy Water | Madeleine Peyroux | G Major | 2 | 9B | 99 BPM | ||
| I Can Tell | Olivia Van Goor, Josie Ala | A♭ Major | 6 | 4B | 114 BPM | ||
| You Always Hurt The One You Love - 1967 Version | The Ink Spots | E♭ Major | 2 | 5B | 78 BPM | ||
| Find Yourself A Vision | Janet Benna | A♭ Major | 2 | 4B | 137 BPM | ||
| You're an Old Smoothie | Diahann Carroll | E Minor | 3 | 9A | 114 BPM | ||
| Falling Leaves | Ethel Ennis | G Major | 1 | 9B | 65 BPM | ||
| I'm Beginning To See The Light | The Ink Spots | F Major | 2 | 7B | 113 BPM |